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UNIVERSITY OF
ILLINOIS LIBRARY
AT URBANA-CHAMPAIGN
MUSIC
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L161_O-1096
HE SPRING CHICKEN.
H flfcusical fl>la\> in XTwo Bets.
[(Adapted from JAIME and DUVAL'S " COQUIN DE PRINTEMPS.")
BY
GEORGE GROSSMITH, Jin-
LYRICS BY
ADRIAN ROSS, PERCY GREEN BANK, and GEORGE GROSSMITH, Jun^
MUSIC BY
.N CARYLL and LIONEL MONCKTON.
SCORE ... \o., Cloth
net 6 0 ($200) „ 8 0 ($2.50)
PIANOFORTE SOLO LYRICS
net 3 6 ($100)
CHAPPELL & CO., Ltd.,
tfc ($0.25)
BOND STREET, LONDON, W., and MELBOURNE, AUSTRALIA. Agents— New York: BOOSEY & CO.— Berlin S.W. 12: C. M. ROEHR.
.Jl rights reserved under the International Copyright Act. Public Performance of all or any part of the work strictly forbidden* Applications for the right of performance must be made to "Mr. GEORGE EDWARDES, Qaiety Theatre, Strand, Loudon."
COPYRIGHT, MCMV., BY CHAPPELL & CO.
<?£a,
Produced by Mr. GEORGE EDWARDES at the Gaiety Theatre.
THE SPRING CHICKEN.
CHARACTERS.
{Baborfs Clerks)
GUSTAVE BABORI {Advocate)
BONIFACE (his Head Clerk)
Raron Papouche (his Client)
FELIX {Head Waiter at " The Crimson Butterfly'').
Stepi IEN- H E n ry ( Girdle's Son)
Proprietor of "The Crimson Butterfly'
Alexis (
Ferdinand t
Waiter
Napoleon (Office Boy)
Joseph Boniface (an Artist)
Inspector of Police
Mr. Girdle (Babori's Father-in- Law)
Mrs. Girdle
Baroness Papouche
DULCIE BABORI (Babori's Wife) Emmy- LOU (Girdle's Niece)
La .Modiste
Sylvan a \
Thf.resi: (Clients of Babori)
Henrietta '
Yvonne
YvETTE - (Grisettes)
Celeste J
A N I >
Rosalie
Mr. Geo. Grossmith, Jr. Mr. Lionel Mackinder. Mr. Harry Grattan. Mr. Robert Nainby. Mr. William Spray. Mr. Arthur Hatherton. Mr. George Gregory. Mr. Harry Taylor. Mr. Leigh Ellis. Master Cross. Mr. Charles Brown. Mr. R. Tremayne.
Mr. Edmund Payne.
Miss Connie Ediss. Miss Kate Cutler. Miss Olive Morrell. Miss Olive May. Miss Isabelle Lidster. Miss Gaynor Rowlands. Miss Gertrude Glyn. Miss Marguerite Gray. Miss Kitty Mason. Miss Fanny Dango. Miss Ethel Oliver.
Miss Gertie Millar.
Lady Clients and Grisettes — MISSES Doris BERESFORD, Daisy Holly, ADDIE Baker Minnie Baker, Edith Neville, Doris Dewar.
ACT I. SCENE. — Office of M. Babori at his Residence, Paris ...
ACT II.
SCENE I. — The Crimson Butterfly Restaurant, Malmaison II.— A Studio at Malmaison
Stage under the direction of Mr. Sydney ELLISON. Musical Director, Mr. Ivan Caryll.
Walter Hann.
Joseph IIarkek. Joseph Marker.
THE SPRING CHICKEN.
6
7 8
9
10
i. Opening Chorus
2. Song {Baron) and Chorus
3. Trio {Baroness, Babori, and Baron)
4. Song {Dukie)
5. Quartet (Mr. and Mrs. Girdle, Emmy-Lou, and Stephen-Henry)...
Song (Girdle) and Chorus
Song (Rosalie)
Concerted Numi;er
Quarti.i (Rosalie, Emmy-Lou, Boniface, and Stephen-Henry) . . .
Song (Mrs. Girdle) and Chorus...
11. Concerted Number (Clients)
12. March Song (Babori) and Chorus
13 Duet (Rosalie and Girdle)
1.1. Finale
CONTENTS. 3rt h
"The Old Noblesse"...
"Vice Versa"
"The Moon of May"...
" The British Tourist " "Not so very old" " I've come along to Paris :' . " The Beautiful Spring "
"Swallows"
" I don't know, but I guess".
"Coquin de Printemps" " Delights of London "
(If we live in the land we love)
(As one of the old Noblesse)
(Were you my client, Baroness)
(When sun and showers awake the flowers) ...
(It seemed a dreadful bore to leave)
(I'm slightly past the age of forty-one)
(I'm a country lass you know)
(Open windows, open doors)
(The swallow's a dear little bird)
(I don't say that husbands are all of them bad)
(A modiste modest, she has done her best)
(When the autumn leaves are falling)
(I'd like to go on a London spree) ...
(Here is news that's very, very unpleasant)
PAGl
I 18
23
33 37 46
60 65
79 88
96 106
127
15. Opening Chorus
16. Song (Felix) and Chorus
17. Duet (Rosalie and Boniface) and
Chorus
18. Song (Rosalie) and Chorus
19. Song (Dulcie) and Chorus
20. Song (Boniface) and Chorus
21. Song (Baroness) and Chorus
22. Duet (Babori and Girdle)
23. Song (Rosalie) and Chori
24. Recit. (Babori) and Chorus
24A. Song (Babori) and Chorus
25. Finale
art H*
"Tres bien, Monsieur"
" The Nice New Parasol " " Alice sat by the fire "
" Oh, so gently "
"Vive la Boheme"
" The very first time "
" Under and over forty "
" The Cordial Understanding '
" The National Theatre "
(If you're tired of having your meals) 1.43
(If the mysteries you're eager to unravel) 152
(When I was a child about so high) .. 158
(There once was a dear little girl you
must know) ... ... ... 164
(When Gustave proposed to me) ... 170
(Do you know the jolly student band?) 177
(I wanted to obtain advice from a
lawyer) ... ... ... ... 185
(When a man is young, under thirty-five) 1 90
(Here we are, you see, in our dear Paris) 194
(I'm the manager of the National
Theatre)... ... 201
(The drama of Britain is limping) ... 202
(It's the very last time) ... ... 20S
Vocal Score.
THE
SPRING CHICKEN Act I.
N91.
OPENING CHORUS
Words by GEORGE GROSSMITH, JUNT
Music by IVAN CAHYLL.
Con spirito.
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N? 2.
SONG- (Baron) and CHORUS.
"THE OLD NOBLESSE"
Words by GEORGE GROSSMITHJUN!'
Music by LIONEL MONCKTON.
Allegro Commodo.
Baron.
Piano.
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one of the Old No . blesse,.
one of the Old No . blesse,.
one of the Old No . blesse,.
Im ea . ger to seek re
My feel . ings I canl ex
Who mar . riedwith no sue
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.dress; .press; . cess;.
From one whom I dazed, By my pres.ence and raised, To the
Her stud- ied ne. gleet, Has be . gun to af . feet My
I sug . gest . ted that I, Should bid her good - bye, And
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22542 s.c.
19
RMi.
CHO.
^
rank of a Bar
health and my hap
go for a long
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on
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ess!
ness! cess!
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Her prin . ci . pal as . set grows
She ne . ver be . stows a ca .
She an . swerd me read . i . ly
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Yes! Yes! Yes!
BAR.
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k'SS, - . ress, "Yes,"
f" J'pUy W'^^
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For she spends all her mon . ey on dress: .
She spurns ev . 'ry lov - ing ad . dress: .
You can go to a cer . tain ad . dress: .
So She
Which I
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now she is quite a su - per . flu . ous.ness gives all the mus.tardwith .out a . ny cress will not re . peat, but per . haps you canguess,
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one of the Old No
To one of the Old No
It's a home for the Old No
22542 s.c.
20
BUI.
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' 4 Crt nmir u'Vo 1*C finite a *i!l TUT fill fill *5 TIP*.
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.blesse. -blesse. . .blesse.
1. So now she is quite a
2. She gives all the mus . tard with
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per . flu . ous . ness
out a . ny cress: To
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3. We will not re . peat but per . haps you can guess: Its a
BAE.
CHO.
lit i'n
A one of the
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one ol tne Old No . blesse!
one of the Old No . blesse!
home for the Old No . blesse!
BARON.
i y j
Oh, Oh, Oh,
m
BAB.
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l'm the Ba.ron Pa . pouche. I'm the Ba.ron Pa . pouche. I'm the Ba.ron Pa . pouche,.
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Who drove in a hired ba . rouche,.
I'm fond of a sweet "bonne bouche','.
I hoi . ler Hoo . ro hoo . roosh!
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To a But a That's
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21
BAR.
i r pi- i? pi-1 frm
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church where I made.An in. diff . er.ent jade, The wife of the great Pa . pouche. .
smack on the face, Is the on . ly emJbrace, That is giv. en the great Pa. pouche.
I . rishmay.be, But it rhymes youll a-gree, To that mus. i . cal name Pa . pouche
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hes he's he's
the Ba . ron the Ba . ron the Ba . ron
Pa Pa Pa
pouche, pouche, pouche,
Who drove in a hired ba .
Who's fond of a sweet bonne
He hoi . lers Hoo . roo hoo
m
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CHO.
P g PIP F f
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. rouche, . bouche, . - roosh, _
To a church where he made, An in . diff . er . ent jade, The
But a smack on the face, Is the on. ly em. brace, That is
That's I . rish may - be, But it rhymesyou'll a . gree, To that
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wife of the great Pa
giv . en the gieat Pa
mus . i . cal name Pa
pouche . pouche . . pouche . .
pouche. pouche- pouche.
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23
N? 3.
Words by PERCY GREENBANK.
TRIO. (Baroness, Babori and Baron.) "vice versa:'
Music by IVAN CARYLL.
Allegretto moderate
Piano.
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i
BABORI.
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Were you my cli . ent, Ba - ro . ness, I
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bold . ly should as . sert
you Be . yond com . pare Were
BAROXESS.
BAB.
22542 s.c.
24
BAR?
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pray, sir, hush! You make me blush, I've not got ev . 'ry
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tue. I'd prove your hus . band, more or less, Was
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grum - py and close - fist - ed,
scoun - drel low From
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top to toe, If ev . er one ex
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25
BAR.
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bad of you, It is . n't true, I ne - ver was close
BAR.
BABORI.
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. fist . . ed! I might go on to show that he was
BAB.
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get . ting worse and worse, ah!
But he's my cli - ent,
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don't you see, So all is vi .
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2V>
BAROXESS.
ip? J' J1 1 ff-^-r i'g f p J> nJ^
BAR?
£
pH
Vi _ ce ver . sa, don't you know, Law.yers have to fill their purse, ah!
BABOKI.
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p p i ^ i'
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p^
BAB.
£
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Vi . ce ver. sa, don't you know, Law.yers have to fill their purse, ah!
BARON.
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BAR.
Vi . ce ver . sa, don't you know, Law.yers have to fill their purse, ah!
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Black is white, And wrong is right And
And their bus.'ness is to show
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BAB.
And their bus.'ness is to show
Black is white. And wrong is right And
BAR
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Black is white, And wrong is right And
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22542 s.C.
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AR*
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AB.
strict . ly vi . ce, vi . ce ver . sa, strict . ly vi . ce ver
sa!
AR.
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strict . ly vi . ce, vi . ce ver . sa, strict . ly vi . ce ver
sa!
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IAB.
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Now
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'tis he I
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re . sent, I must ad . mit, dear
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22542 S.C.
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BAB.
m
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la
dy, You're lost to shame, And have a name For
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BARONESS.
BAB.
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BABORI.
fei^
bar;
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you in . fer My cha _ rac . ter is sha . - dy? Your
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p P W
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BAB.
?=£
hus . band is
mon u ment Of pa . tience and de
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22542 s.c
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BAB.
jlV? "jf
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,' ' iJ ■* <c-
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feB
ii
. vo . tion. He's
been a . bused And
H p ? '••
ill - used (You'll
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^^
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BAB.
w > "3
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BABORI.
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well in - deed, I 11 par . don your e
mo
tion. A
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BAB.
wife should to
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her hus . band be A bless . ing, not a
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30
ISAM.
i
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curse, ah!
? I i J' j. J' | I | | ^SE^
But
in my cli _ ent's case you eee, The
h
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BAB.
fcS
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Vi . ce ver. sa, don't you_know, Law. yers have to fill their purse, ah!
BABORI.
feS
m
PPM Ik 8 P P
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P ■ f -
Law. yers have to fill their purse, ah!
Vi _ ce ver _ sa, don't you_know, BARON.
=y*^-TT~P i !> fj | i ? | | | 1 1 | | <t
bah .
Vi . ce ver . sa, don't you_know, Law. yers have to fill their purse, ah!
i I n n
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^
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31
bar:
BAB
BAR
j> ; 1 :i? ^ ' i|j : ''j'Vy^-^1
And their business is to — show
Black is white And wrong is right And
i p p p p n )m
p !i ? :> \:> :> ^h
And their bus.'ness is to show
Black is white And wrong is right And
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And their business is to show
Black is white And wrong is right And
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strict . ly vi . ce, vi . ce ver . sa, Strict, ly vi . ce
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strict, ly vi . ce, vi . ce ver . sa, Strict. ly vi . ce
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ver . sa!
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32
DANCE.
if'i-firt
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SWF
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22542 s.c.
33
N9 4.
SONG.-(Dulcie.)
"THE MOON OF MAY.'
Words by ADRIAN ROSS.
Music by LIONEL MONCKTON.
Moderate
Dulcie.
Piano.
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1. When sun and show . ers a . wake
2. A . gain for lov . ers the prim
the flow . ers To rose cov . ers The
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22542 s.c.
34
I'll..
^
DUL.
v p k
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p y ^ ' I
and laugh . ter Of May - time's
for . sa . ken Of all her
heart goes af . ter the love
May must wa . ken to me
a
;' F v
DUL.
P 6 =*
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boon,_ light,.
That May of ro . ses, whose ring
The love - light ten . der that lent
en . clo . ses Our a splen.dour, To
s i im
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hon day
ey and
moon!, night!.
Ah. Ah.
Ah. Ah.
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22542 b.c.
DUL.
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REFRAIN.
Tempo di Valse moderate
35
fe^
zz
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^
Come
back my May-
time,
Bring- ing the time of
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Noon in the wood land way
4
Set of the sun,
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22542 s.c.
36
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12. a tempo
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leav . ing us one,
Un . der the moon of Mav L
May.
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Un . der the moon!
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Un . der the moon!
Un . der the moon of
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-a 22542 s.c.
37
N°5. QUARTET. (Mr <£ Mr.s Girdle, Emmy -Lou and Stephen-Henry.)
"THE BRITISH TOURIST.'
"Words by PERCY GREENBANK.
Music by IVAN CARYLL.
Piano.
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1. It seemed a dread, ful bore
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filled up the com _ part. ment with our lug. gage and our wraps,
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. pa had a big Bath bun,
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Brit . ish Tou.rist, And his wife, And all his fa _ mi - lee!
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pa had a big Bath bun,
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46
N? 6.
SONG .-(Girdle.) and CHORUS.
"NOT SO YKRY OLD."
Words by GEORGE GROSSMITH, JUNr
Music by IVAN CARYLL.
Girdle.
Piano.
Moderate
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slight . ly past the age of thir . ty - one , oth . er day I heard a. fun . ny joke,
And all the ma . ny fool. ish things Ive
I re .members it this morning when I
22542 s.c.
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things I'm going to do, For Ive
wait . ed to the end. It was
just got old e . nough to have some all a . bout a cost . er and his
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it.
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fun, moke ,
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dance that is spread it out
a chance I would . rit an hour, and told it
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miss dears,
bright . - ly,
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22542 s.c.
48
f* Ji > Jl Ji J ^^ tJl J' ,Ji J> N^
yet do I for. get, How to
told him it was true. And I
turn said
a pi . rou.ette, Look at
I think its new, He smiled po
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this dears, lite _ ly.
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old," old,"
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see, he,
My age a Ro . me . o
Its charms will nev . er, nev
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old as she may look, Jo . nah and the whale,
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is as old that Me . thu
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morn . ing, Oh! you're a naugh - ty old man Im
years a . go, I saw that lit . tie sto . ry
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got it in a . gain this_ week, And so It — can't be— ve . ry
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he cant be so ve . ry old!' you see, His
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charms will ne . ver ne . ver fade.
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old as she may look, But a man is as old as he feels.
Jo _ nah and the whale. Or the jokes that Me.thu . sa . leh made.
w
m
old as she may look, But a man is as old as he feels.
Jo . nah and the whale. Or the jokes that Me . thu . sa . leh made.
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old as she may look, But a man is as old as he feels.
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girl re . markd the o . ther morn . ing- Oh! youre a naught. y old man I'm
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girl re . markd the o . ther morn . ing:
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old man Im sto . rv
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told, told
told, told.
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not so — cant be —
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can't be —
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ve . ry old." ve - ry old."
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GIR.
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went in . to a shop to buy a cheese,
An
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sv - er fie - kle pal . ate to ap , pease,
Now I
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ne . ver did care much, for a Ched . dar or a Dutch, So I
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said I want a Stil . ton if you please.
I was
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22542 s.c.
54
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wear . ing in my coat some sweet mi . mo
And I
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drew the fra . grant sprig a tri . fie clo
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shop . man then I told. Not to send me one too old, He said
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this can't be so ve . ry
jiJLLJj ' "J"!
old," said he,
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feel . ing ve . ry well and
strong,
And its
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look . ing nice and brown,
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Af . ter
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sev . en months in town, It . '11
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join
in a top
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takes a
lot of ex . er
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vou know,
v
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keep it
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now its prac . tis . ing
the.
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can't be -
ve . ry
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this cant be mj ve . rv old,' said he, "Its feel.ing ve . ry well and
CHO.
W
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this cant .be >o ve . ry old-' said he, "It's feel.ing ve . ry well and
cant t>e s
M — te^,
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this cant be so ve. rv
i
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old, said he,
'Its feel.ing ve . ry well and
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strong.
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And it's look.ing nice and brown, Af . ter sev . en months in town, It 'll
£e£
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strong,
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strong,
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And it's look.ing nice and brown, Af . ter sev . en months in town, It 'll
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And it's look.ing nice and brown, Af . ter sev. en months in town, It 11
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join
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join in a top . i . cal song.
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join in a top . i - cal song.
It takes a lot of ex . er .
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CHO.
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cold,
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Just
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now it's pract . is . ing the
Just
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Just now it's pract - is _ ing' the .
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22542 s.c.
DANCE.
59
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22542 B.C.
60
N? 7.
Win i!s by LESLIE YIAYNK.
SONG. (Rosalie
'I'VE COME ALONG TO PARIS.
Music by LIONEL MONCKTON.
Rosalie.
Piano.
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1. I'm a coun . try lass, you know,
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Fresh to all the streets and
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hou . ses;
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Fa . ther has to plough and sow,
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Mo . ther minds the nigs and cow . ses!
Life up - on a farm's no
22542 s.c.
61
ROS.
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On . lv wor . rv and vex . a . tion:
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Ev _ ry girl to town should run, Just to get a sit . u . a
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tion! Well I told my mo.ther so, And she an_swerd Off you go!
So Ive
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come a. long to Pa. ris for a change!
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Aw. ful . ly
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strange! Coun.try peo . pie are so fool.ish.And thty 're much too Sun.dayschool-ish, So Ive
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come a . long to Pa . ris for a change!
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Ear . ly in the morn they're start . ing!
22542 s c
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N? 8.
CONCERTED NUMBER.
THE BEAUTIFUL SPRING.
Words by GEORGE GROSSMITH, TUN?
Piano.
Allegro moderate > . .
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J' very brightly
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Music by IVAN CARYLL.
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22542 s.c.
66
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SOPRANO.
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O . pen win - dows, o . pen doors, f TENOR.
Sprin.kle tea . leaves on the floors,
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O . pen win . dows, o . pen doors, f BASS.
Sprin.kle tea . leaves on the floors,
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Sprin.kle tea . leaves on the floors,
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Cov . er chairs with dain - ty chintz, Cur . tains hang of cream.y tints;
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Cov . er chairs with dain . ty chintz, Cur - tains hang of cream.y tints;
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Cov . er chairs with dain . ty chintz, Cur . tains hang of cream.y tints;
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67
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Paint and po . lish, scour and clean,
Where the fire was stand a screen.
CHO.
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Paint and po . lish, scour and clean,
Where the fire was stand a screen,
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Paint and po . Iish, scour and clean,
Where the fire was stand a screen.
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Di . mi _ ty u . pon the stair, Flow.ers, flow.ers ev . *ry where.
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Di - mi . ty u pon the etair, Flow.ers, flow.ers ev . 'ry . where.
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Di . mi _ ty u _ pon the stair, Flow.ers, flow.ers ev _ 'ry . where.
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Gil . ly . flowr and mar . gue . rite, But . ter . cup and mea . dow . sweet.
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69
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Ap.ple.blos.soms, sprig of may, Li - lac and la . bur. nam gay, Hy . a . cinth, and
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Ap.ple.blos.soms, sprig of may, Li . lac and la . bur. nam gay, Hy . a - cinth, and
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Ap.ple.blos.soms, sprig of may. Li . lac and la . bur. nam gay, Hy. a . cinth, and
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don't for. get Hum.ble Mis . tress Mi . gno.nette, Gil . ly- flower, and mar.gue.rite,
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22542 s.c.
70
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But.ter.cup and mea - dow . sweet. These the pre . sents she will
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But.ter.cup and mea . dow . sweet. These the pre . sents she will
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But.ter.cup and mea . dow . sweet. These the pre . sents she will
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bring, That is why we wel . come Spring.
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bring, That is why we wel . come Spring.
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bring, That is why we wel . come Spring
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11
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Sprin.kle tea - leaves on the floors,
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Co . ver chairs with dain . ty chintz, Cur.tains hang of cream. y tints;
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Co . ver chairs with dain . ty chintz, Cur.tains hang of cream. y tints;
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Co . ver chairs with dain. ty chintz, Cur.tains hang of cream. y tints;
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22542 s.c.
72
CHO.
Paints and pol . ish, scour and clean, Where the fire was stand a screen.
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Paints and pol . ish, scour and clean, Where the fire was stand a screen.
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Paints and pol . ish, scour and clean, Where the fire was stand a screen.
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Di . mi . ty up - on the stair, Flow.ers, flow.ers ev.'ry _ where.
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Di . mi . ty up . on the stair, Flow.ers, flow.ers ev.'ry - where.
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Di _ mi . ty up . on the stair, Flow.ers, flow.ers ev.'ry - where.
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'542 s.c.
73
Moderato.
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Have you brought my lunch-eon, lit . tie Mi . di . nette?
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All the morn.ing we have ■ ft
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Have you brought my lunch-eon, lit - tie Mi . di - nette?
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All the morn.ing we have
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Girls.
Since your pa.tience has so brave - ly last - ed, Cant it
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fast . ed.
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fast . ed.
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22542 s.c.
7 4
Girls.
last a lit . tie Ion . ger
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yet?
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What have you to tempt us?
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What have you to tempt us?
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Let . tuc . es and bread,
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Let . tuc . es and bread,
Sand.wich. es of some sau - cis . son,
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Sand.wich . es of some sau - cis . son,
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22542 s.c.
75
Girls.
| P p »p l-L |f IF ^ iJ' I J) J' p (i J1 p_
slice with such a nice big piece on, Now come and see the mon . keys
£
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Thanks!
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3£3
fed!
Please don't eat so fast! Your man.ners are the worst!
a!
22542 s.c.
78
Girls
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A 1. ways take the piece that's near . est.
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Don't 6tand talk . ing: get a corks . screw,
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Don't stand talk . ing: get a corks . screw,
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dear . est! We are strug . gling with a thing called thirst!
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dear . est! We are strug. gling with a thing called thirst!
2254? s.c.
77
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^e would like to wan . der un . der.neath the trees, When you've done your lunch . eon -
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Thanks!
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Here's your health, my Mi . di.nette! Drink hear - ty!
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Here's your health, my Mi _ di.nette! Drink hear . ty!
We're
22542 s.c.
liirl-,
78
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rea . dy for desert now, please.
jETffry^
rea.dy for de.sert now, please.
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225 « s .
79
N?9. QUARTET. (Rosalie, Emmy-Lou, Boniface and Stephen-Henry. I
-SWALLOWS." Word? by Music by
PERCY GREENBANK.
Allegro grazioso. tr_^ tr_^ ^ tr
feE^Trrrr r-C-T i f f f 7 1 r~ff r
[imim
LIONEL MONCKTON.
tr
Piano.-
if
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ROSALIE.
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Pl^Ff^
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swal. low's a dear lit . tie bird,.
That comes ov . er here in the
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^Jizzr^T lip it f (t^^
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And ea.ger- ly tries to catch plen - ty of flies, By
22542 S.C.
80
ROS.
t
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Me
dart, ing a . bout on the wing
EMMY. BONIFACE <fc STEPHEN.
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Up high, he's dart . ing a . bout on the
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EM.
BON. STE.
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BONIFACE
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wing!.
Just now with a fuss that's ab
surd,.
On
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build . ing a nest he is bent,.
I think he be . lieves in a
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home in the eaves, Where he has . rit to pay an . y
«
2542 s.c.
81
BON.
ALL.
ij/'1 i' J| ■' '■ J- J' i f p r r M *f m
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Do ing your best to get rea . dv a nest, And f lut . ter . ing to and
22542 s.c.
H2
ROS.
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Ah!
Lit - tie in - no . cent
EM.
RON. STK.
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fro..
Swal . low!
swal
low!
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ROS.
EM.
RON. STK.
7 *?
one!
You we will fol . low!
You're mak.ing love In the
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There's an ex . am. pie to fol
low!
You're mak . ing love In the
ROS. ^k-t>
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sky up a . bove, So well do the same be . low!.
EM.
RON. STE.
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sky up a . bove, So we'll do the same be . low! ^ K
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22542 S.C.
83
Me
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ROSALIE.
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2. The
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ROS.
swal.low is fond of his mate,.
But how do you know it will
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last?.
For have, n't I heard that this dear lit . tie bird Is
22542 S.C.
84
ROS.
I
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thought to be aw. ful . ly fast!
EMMY. BONIFACE <& STEPHEN.
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Oh, no! he's swift, but he's not a bit
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EM. BON. STE.
STEPHEN.
s
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fast! .
Just watch an . y pair tete-a - tet$-
There
STE.
h) . v* . J' ^^
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f "f F ' F
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real . ly is no . thing a . miss
She gets a bit peck'd, but she
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does . rit ob . ject, For it's on . ly the same as
22.V1S s.c.
85
STE.
ife*
B ^' >
-1 — ^
kiss. ROSALIE. EMMV A STEPHEN
sfeb
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J' •' Tji r1 m
peck is as good as a kiss!
Swal . low!
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swal . low!
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Dear lit . tie in - no . cent swal
low!
ALL.
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Do. ing your best to get rea-dy a nest, And f lut _ ter _ ing to and
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22542 s.c.
86
aos.
EM.
BOX. STE.
frr~jTi i
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p£^
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N? 10.
SONG (W-s Girdle) and CHORUS.
"I DON'T KNOW, BUT I GUESS"
Words by A.DRIAN ROSS.
Music by LIONEL MONCKTON.
M1? Girdle.
Piano.
Allegro moderate
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1. I don't say that hus.bands are
2. I've mar.ried ray girl to an
all of them bad, ex . eel . lent youth,
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I don't put ve . ry much trust in them; I've pret . ty good eyes, as I
law.yer of note is my son- in - law;= Of course he can't al . ways go
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al.ways have had, And ne . ver let poo. pic throw dust in them
tell.ing the truth, For that sort of thing is . n't done in law!
My He's
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lone, just for one day_ car - ing to fee him, .
He ne.ver tells me what his bus.'ness may
And la- dies who some of them look ve . ry
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be. Or why it is
nice. Are con - stant _ ly
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mean.ing of .cus.sing her
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Well, Well,
well,
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how can I how can I
tell? I am tell? For her
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Put I heard him re And when pow_ der I
peat in his note on the
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CHORUS.
W,:< GIRDLE.
ss
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sleeve of his coat, Well of course I don't know_Um, um, um, um, um,
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guess, guess,
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guess!_ guess!_
Well, Well,
well, well,
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how can we how can we
tell? Tho' we have an tell? Tho' we have an
i . dea more or lessL
i _ dea more or lessL
Then he On the
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murmur 'd at tea 'Oh my waistcoat he wears, Are some
lit. tie Ma . rie!" Well of course I don't know! Well, of long gold, en hairs. Well, of course I don't know! Well, of
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course we don't know, but we guess, course we don't know, but we guess,
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3. My son - in - law has such a cu . ri . ous way. In
4. Im fond of the land and the peo . pie of France, They
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spite of my watch. in^ and scold. ing him;_ have such an af - fa.ble way with them;.
As I
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soon as its sun.ny in go to their plays if Ive
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93
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says that when swal . lows ap wont to one piece I had
pear in the sky, And
not 6een be . fore, Just
blue .bells are one of their
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He goes for a ram.ble with no . bo _ dy
The cur. tain went up_ a ho . tel cor.ri
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friend, She may be a belle with an way. So if you would like to know-
doubt you will pick up a blue .bell my thought I was sa . fer in go . ing a
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how can I how can I
tell? He may tell? Though the
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go af _ ter cow. slips or cress
piece was a Pa _ ris sue _ cess;
When he walks a.mong trees There is For you see I had gone, When the
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no one that sees, So, of course I dont know, Um, urn, um, um, um, um! But I la - dies came on, So, of course I don't know, Um, um, um, um, um, um! But I
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how can we tell? Tho' we have an i dea more or lessL
how can we tell? Tho' we have an i dea more or less!.
If he's But I
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rfcwr in the park, Oh, of course 1 dont know! Oh, of lit .tie bit hot, Well, of course I don't know! Well, of
seen af . ter dark With a hear that the plot Was a
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course we dont know, but we guess, course we don't know but we guess,
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guess!, guess!.
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Words by GEOHGK GROSSMlTHJUNr
CONCERTED NUMBER. (Clients
Music by IVAN CARYLL.
Piano.
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plan, That it's built on a silk foun . da
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22542 8.0.
106
N9 12.
MARCH SONG. (Babori.) and CHORUS.
COQUIN DE PRINTEMI'S!
Words by GEORGE GROSSMITHJUNT
Tempo di Marcia
Music by IVAN CARYLL.
Piano.
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BABORI.
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BAB.
wm
f r t e
I can hear my
To be wak . end
con. science caH.ing': Du . ty
by the Mu.ses, While the
waits for
snow lies
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p
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BAB.
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me,
round;
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Van . ish all the Men - dels.sohn is
bars be . tween us. un - me . lo . dious,
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For the pres . ent — fare .well.
Of - fen .bach to me is
Ve . nus, Wine, and Mel . o
o . dious, Ver - di has no
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dy
sound ;.
I a . ban - don
Though to rouse me
Janes ca . res . ses, you may choose a
m
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£
£
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BAB.
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Kit . ty's eyes and March by Sup . pe
Maud, ie's or by
tres . ses, Sou . sa,
Hold me On deaf
m no
ears 'twill
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thrall.. fall;_
But In
thr>' Kit . ty, Maud and Jane, In
the win . ter 1 will urge That
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22542 s.c.
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win ter smile at me in vain, In Spring I a . dore them
ev . 'ry mel - o . civ's a dirge, In Spring I ap - plaud them
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BAB.
a
fill
ny blonde , my heart, _
If
At
a
his
ny com
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blonde be
mand I
fond smile
of or
J ^
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me;
weep;
I'll Wag
let ner
a my
sweet bru _ nette . soul will stir,_
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22542 b.c.
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BAB.
Come walk . ing Or soft . ly
in my
soothe that
j^i-g
^
P^P
com soul
pa to
ny;_ sleep;
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BAB.
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in
Gou
smile
lit . tie while,.
nod will still me, though.
at a . ny
with Mes . sa
fei
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f
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4 *
BAB.
r
shade of maid you
ger I sway and
ik=y
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m
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bring,- _
swing;.
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I'll
My
y tf«P
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h-t— lf-E
2
kiss that own pet
one or this
gra . ma . phone.
I'm not ca Is nev . er
pri . cious rus . ty
the the
im
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ifl^rt
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22542 s.c.
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(HO.
Spring. Spring.
m
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He's Mo
He's Mo
He's Mo
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fond of
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fond of
zart can
fond of
zart can
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a . ny blonde, _ fill his heart,—
a . ny blonde,, fill his heart, _
m
a . ny blonde, _ fill his heart,
m
CHO.
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He'll Wag
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let ner
A-J' J I .J ,J> J^
a his
sweet bru . nette,. soul can stir,_
Go walk . ing Or soft . ly
£
in his
soothe that
f-
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Hell Wag
4
let ner
a his
sweet bru . nette,. soul can stir,
Go walk . ing in his
Or soft . ly soothe that
m
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p
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let ner
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sweet bru soul can
nette, stir,_
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soothe that
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Hell Gou
smile a nod will
lit . tie while
still him, though
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smile a
nod will
lit . tie while
still him, though
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pa to
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smile a
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At a . ny shade of
With Mes . sa . ger he
At a . ny shade of maid you bring. - With Mes. sa . ger he sway and swing..
P
At a . ny shade of maid you bring.
With Mes . sa .ger he sway and swing.
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maid you bring,
sway and swing.
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He'll His
He'll His
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kiss that one or this,—
own pet gra . ma . phone .
He's not ca . pn.cious is nev . er rus . ty
wmm
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kiss that one or this He's not ca . pn.cious
own pet gra. ma . phone is nev . er rus. ty
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kiss that one or this He's not ca . pn.cious
own pet gra- ma . phone is nev . er rus . ty
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22542 s.c.
113
F 7 \
m in
the the
Spring. Spring.
J 1 I
CHO.
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in in
the
the
Spring. Spring.
BABORI.
M J' t J | ^ J^
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3. When the chills of win . ter rack us, I will turn my
fes^
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BAB.
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back on
Bacchus, And his vi . nous schemes;
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Wa . ter for my thirst suf.fi . ces, No green fai . ry me en . ti . ces
BAB.
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In Ho . garth . ian
dreams.
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For a stoup of choice A . ya . la, Crim . son Beatme.or old Mar - sa . la,
BAB.
?=P
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will
nev . er
call.
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In the win . ter
I may think No wine is fit for
mm
me to drink, In
mg
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f ' J' r "^
BAB
Spring I can drink them all.
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Bring
me some
Bur - gun . dy,_
The vin . tage
tesl
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f i *
n .n
BAB.
'
that I love so
well;
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White
wine from Riv . er Rhine,
Or match . less
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Then
some Heid . sieck or Mumm,
Of cu . vee
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rare when
eer
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be:
ae:
p
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ring.
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22542 s.c.
117
BAB.
T IM?
Urt—i^
Bring
too some "Moun . tain Dew''
With spark . ling
m
mmm
*i»lf if
mm
ii
^
mm
^^
BAB.
wa . ter
from the Spring.
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$
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Bring
w*==*
him some Bur . gun . dy,
The vin . tage
IHHI
5
m
=$
CHO.
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him some Bur . gun . dy,
The vin . tage
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22542 s.c.
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him some Bur . gun . dy,
fr
The vin . tage
p pJ C3 tJ
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that he
loves so
well;
White
3=C
CHO.
that he
loves so
■well ;
White
f | f f rf
m
£
p
N that
he
A
m
loves
so
w
well;.
f
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White a.
&=&
f^F
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PP
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wine from Riv - er Rhine, Or match.less nee . tar
ju ^ I ^ J1 ^
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of Mo
CHO.
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wine from Riv . er Rhine, Or match.less nee . tar of Mo
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Then
some He id
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sieck or Mumm,
CHO.
^
selle; .
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Then — s> —
some Heid . sieck or Mumm,
\t
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selle;
Then
some Heid . sieck or Mumm,
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119
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Of cu . vt-'e rare when
eer
he
i-Jl J' J'
ring.
CHO.
Of cu . vee rare when
eer
he
^m
r r i r =£
ring .
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f cu . ?r« rare when
f ^- -4£
he
ring.
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f
C^TXJ
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sun - tair
Bring, ■fe
too, some "Moun - tain Dew
^F
CHO.
P=£
3i=§
ring,
Is
too, some "Moun . tain Dew'l
f r if ci ^
\
K
rmg,
too, some
re
£
'Moun . tain
Dew"
^ ^"~
P
ftfl
i*
*f
Z?
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tim J' Ji J i^
p 1 1 a
p
With spark .ling wa . ter
*
V
£=£
from the spring..
£
Pi* II
P
CHO.
£
__ With spark . ling wa . ter
from the spring.
?
p r i f r
r i > ii
5s
1- r !■'
^ With spark . ling wa . ter
:=— * £-
from the t
spring.
^
CJ-P
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22542 s.c.
^ 1 h 7
120
N? 13.
Words by ADRIAN ROSS.
Rosalie.
Piano.
#
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