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THE EYES OF LOVE By JOHN NEWTON HOWITT
CATALOGUE
EXHIBITION AT THE ANDERSON GALLERIES OF WORKS OF ART DONATED FOR THE BENEFIT OF THE AMERICAN BRITISH- FRENCH-BELGIAN PERMANENT BLIND RELIEF WAR FUND . _ MAY ii TO MAY 25, 1918
T
American Section
Under the high patronage of Wood row Wilson, President of the United States.
British Section
Under the high patronage of His Majesty the King, Her Majesty the Queen, and Her Maj- esty Queen Alexandra.
French Section
Under the high patronage of M. Raymond Poincare, President de la Republique.
Belgian Section
Under the high patronage of His Majesty King Albert and Her Majesty Queen Elizabeth.
AMERICAN
BRITISH
FRENCH
B ELGIAN
Permanent Blind Relief War Fund
For Soldiers and Sailors
(Founded by Mr. and Mrs. George A. Kessler)
Headquarters: 590 Fifth Avenue, New York 75 Avenue des Champs-Elysees, Paris
Executive Committee
GEORGE ALEXANDER KESSLER,
Chairman LADY (ARTHUR) PAGET VINCENT ASTOR EDMUND L. BAYLIES AUGUST BELMONT GEORGE BLUMENTHAL HON. THOMAS P. GORE HON. MYRON T. HERRICK OTTO H. KAHN CHAUNCEY McCORMICK SIR ARTHUR PEARSON, Bt. WHITNEY WARREN JOSEPH WIDENER
Hon. Advisory Committee
HON. ROBERT BACON HON. ELIHU ROOT
Hon. Treasurers
SIR EDWARD HOLDEN, Bt., Chairman
London City and Midland Bank. M. GEORGES PALLAIN,
Governor-General of the Bank of France. EUGENE V. R. THAYER,
President Chase National Bank, New
York.
Hon. Secretaries MRS. GEORGE A. KESSLER MRS. R. VALENTINE WEBSTER MRS. HARRY PAYNE WHITNEY
British Committee
SIR ARTHUR PEARSON, Bt., Chairman, President of St. Dunstan's, Regent's Park, London, and of the Committee of the Na- tional Institute for the Blind, London.
Comite Directeur Francais
EUGENE BRIEUX, de l'Academie Franchise,
President. LOUIS BARTHOU, Ancien President du Con-
scil des Ministres. LE GENERAL FLORENTIN, Grand Chan-
celier de POrdre National de la Legion
d'Honneur. DAVID-MENNET. President de la Chambre
de Commerce de Paris. M. MOREL, Gouverneur du Credit Foncier
de France, Tresorier. EUGENE SCHNEIDER, Maitre de Forges. LE DOCTEUR VALUDE. Medecin-Chef de
la Clinique de l'Hospice National des
Quinze-Vingts.
Please make all checks, money orders, etc., payable to
EUGENE V. R. THAYER, Hon. Treasurer
A.-B.-F.-B. PERMANENT BLIND RELIEF WAR FUND
590 Fifth Avenue, New York
f-
A
*
To the Public
v^tt^j^/l VE RY one of the works of art in this exhibition was
V§ ij f' - donated most generously and gladlr bv artists, art col-
%~y > lectors and dealers to be shown and sold for the benefit
" of the American-British-French-Belgian Permanent
Blind Relief War Fund.
We ask you to buy them at the value placed upon them by the donors.
From the human debris of the greatest battle in all history now raging on the French front large numbers of blinded men — helpless, crushed, suffering the extreme of mental and physical agonv — are being taken, complicating the cruellest and most shocking problem that has grown out of any war since the be- ginning of time — what to do with many thousands of soldiers incapacitated by the loss of their sight. And the battle is ex- pected to last for months.
Before this battle started every available institution in France had been found distressingly inadequate for taking care of these stricken heroes who have sacrificed their eyes to save from a fate far worse than death their loved ones and yours, and the American-British-French-Belgian Permanent Blind Relief War Fund had taxed its resources to the utmost to meet the situation. The Fund is supported by the public throughout the United States and its purpose is well known. It maintains under direction of the French Government five institutions in France for the rehabilitation of totally blinded soldiers — practi- cal, constructive work that turns a hopeless, despairing wreck into a self-reliant, self-respecting, contented member ot the com- munity fully able to earn a good living for himself and family.
Because of the appalling number of blinded men pouring into Paris an additional call has now been made upon the Fund In' the Government of France, as a result of which it has taken over the Chateau de Madrid, a famous mediaeval structure in the Bois de Boulogne, well known to every American who has visited Paris, and the Chateau de Rochecorbon, near Tours. The streams of blinded passing through the base hospitals, those ports of broken men, make it certain that still further demands will be made upon us. As Mrs. Kessler writes from Paris, where she is devoting her time day and night and her private resources to help the cause along:
"Here, on the edge of this Inferno, of this swirling pit of hor- ror, our American institutions must at all cost be maintained until they have accomplished their holy mission."
You will be the more anxious to help this unselfish, most merciful and wholly constructive work of relief now that our American legions are fighting, suffering and dying at the front.
\S
Executive Council of the Exhibition
Harry W. Watrous, N.A., Chairman Howard Russell Butler, N.A. William A. Coffin, N.A. Charles C. Curran, N.A. Daniel C. French, N.A. Francis C. Jones, N.A. Carman Messmore Hobart Nichols, A.N.A. Chauncey F. Ryder, A.N.A. George H. Story, A.N.A. Robert W. Van Boskerck, N.A. J. Alden Weir, N.A.
Honorary Committee of Artists
Katherine Langhorne Adams Joel Nott Allen Leroy Barnett Carle Michel Boog Frederick James Boston Irene Brown Charles H. Caseau Mountford Coolidge Genevieve Almeda Cowles Caroline H. Caffin Royal Cortissoz
Art Critic, New York Tribune Katherine S. Dreier Charles de Kay, Art Critic Benjamin Eggleston Edmund Lewis Ellis John William Evans George P. Ennis Hamilton E. Field Maurice Fromkes Kathryn Gray John Gregory Sydney K. Hartman Victor D. Hecht Eugenie M. Heller Carl Hirschberg Ferdinand Howald
John Newton Howitt
Charles H. Humphriss
Eugene Arthur Jones
Rollin Kirby, N. Y. World Cartoonist
Elizabeth A. Knowles
James Knox
Jonas Lie
Clara Taggart MacChesney
Edith M. Magonigle
Stanley Middleton
Eugene H. Morahan
James P. McRickard
Charles Austin Needham
George F. Of
Walter Pach
Henry Grant Plumb
Dorothy Rice
Harry Roseland
Bernard Jacob Rosenmeyer
Harry Stoner
Agnes Gabrielle Tait
Mary H. Tannahill
Sallie B. Tannahill
James B. Townsend
Editor American Art News Robert Vonnoh, N.A. Abraham Walkowitz
Patrons and Patronesses
DR. E. A. ALDERMAN
President University of Virginia ELIAS M. AMMONS, Denver, Colo. MRS. JOHN ASTOR, London, England H. M. ATKINSON. Atlanta, Ga. GROSVENOR ATTERBURY, New York DR. SAMUEL AVERY
Chancellor University of Nebraska DR. BROWN AYRES
President University 0/ Tennessee
JULES S. BACHE, New York GEORGE F. BAKER, New York DR. JAMES H. BAKER
President Emeritus University of Colorado HON. NEWTON DIEHL_ BAKER
Secretary of War DR. W. J. BATTLE
President University of Texas MRS. !. STEWART BARNEY. New York MRS. JASPER BAYNE. New York HON. lAMES M. BECK, New York MRS. O. H. P. BELMONT, New York DR. GUY POTTER BENTON
President University of Vermont REV. DR. ISRAEL BETTAN. Charleston, W. \ ... HARRY S. BLACK, New York CORNELIUS N. BLISS. Jr., New York DR. GEORGE F. BOVARD
President University Southern California R. R. BOWKER, New York DR. EDGAR EWING BRANDON
Dean Miami University MRS. EDWARD N. BREITUNG, New York BISHOP CHAUNCEY B. BREWSTER, Hartford, Conn. MRS. IRVING BROKAW, New York JAMES CROSBY BROWN, Philadelphia, Pa. JOSEPH G. BROWN, Raleigh, N. C HON. W. W. BUNN, Philadelphia, Pa. HON. ALBERT SYDNEY BURLESON
Postmaster-General
DR. M. L. BURTON
President Smith College
SIR ANDREW CAIRD, New York
REV. DR. EDWARD N. CALISCH, Richmond, Va.
DR. P. L. CAMPBELL
President University of Oregon. ROBERT D. CAREY, Careyhurst, N. Y. HIS EXCELLENCY M. E. DE CARTIER
Minister of Belgium C. W. CHANDLER, Wichita, Kans. MRS. WILLIAM ASTOR CHANLER, New York MRS. HOBART CHATFI ELD-TAYLOR, Lake Forest, III. LOUIS R. CHENEY, Hartford, Conn. PERCY CHUBB, New York HON. WILLIAM A. CLARK. New York EMORY W. CLARK, Detroit, Mich. LEWIS L. CLARKE. New York MRS. HENRY CLEWS, New York MRS. W. BOURKE COCHRAN, New York W. BOURKE COCHRAN. New York DR. RUSSEL H. CONWELL, Philadelphia, Pa. WILLIAM H. CROCKER, San Francisco, Cal. HON. GRAFTON D. CUSHING, Boston, Mass. MRS. C. C. CUYLER, New York
J. H. DANBY, Wilmington, Del. HON. JOSEPH! S DANIELS
Secretary of the Navy MRS. WILLIAM ADAMS DELANO, New York DR. GEORGE H. DENNY
President University of Alabama
MRS WILLIAM DISSTON, New York MRS. CHARLES H. DITSON, New York EDWARD L. DOHENY, Los Angeles. Cal. J. F. DOWNING, Kansas City, Mo. IOHN R. DREXEL, Philadelphia, Pa. F. A. DRURY. Worcester, Mass. DR. C. A. DUNIWAY
President Laramie University T. COLEMAN DU PONT, New York "
J. L. EDWARDS, Burlington, Iowa DR. CHARLES W. ELIOT
President Harvard University REV. SAMUEL A. ELIOT, Boston, Mass. SAMUEL S. EVELAND, Bryn Mawr, Pa.
SAMUEL W. FAIRCHILD, New York BISHOP SAMUEL FALLOWS. Chicago. III. CARDINAL JOHN FARLEY, New York PROF. HENRY W. FARNAM. New Haven. Conn. DR. LIVINGSTON FARRAND
President University of Colorado WALTER FARWELL. Syosset, L. I. BERNARD FAYMONVILLE, San Francisco, Cal. DR. THOMAS FELL
President University of Maryland CHARLES H. FISK, Covington, Ky. REV. DR. CHARLES FLEISCHER, Boston, Mass. HORACE FLETCHER, New York LAMES B. FORGAN, Chicago, III. JOSEPH N. FRANCOLINI, New York REV. DR. LEO M. FRANKLIN, Detroit, Mich. HENRY CLAY FRICK, New York
REV. PAUL REVERE FROTHINGHAM. Boston, Mass, BISHOP JAMES B. FUNSTEN, Boise, Idaho
LYMAN J. GAGE, San Diego, Cal. BISHOP THOMAS F. GAILOR
University of the South D. L. GEROULD, Warren, Pa. CARDINAL JAMES GIBBONS, Baltimore, Md. C. DANA GIBSON. New York VIRGINIA C. GILDERSLEEVE
Dean Barnard College REV. CHARLES W. GILKEY, Chicago, 111. GEORGE J. GOULD, New York
H. T. S. GREEN. New York
HON. THOMAS WATT GREGORY
Attorney-General MRS. BENJAMIN GUINNESS, New York REV. DR. WILLIAM H. GREENBURG, Dallas, Tex. MRS. CHARLES GREENOUGH, New York HISIH il' l)A\ III II liREER, V ■•■ York HON. B. W. GRIFFITH, Vicksburg. Miss. H. B. GROSS. England F. W. GUNSAULUS
President Institute of Technolorv, Chicago REV. WM. NORMAN GUTHRIE, New York EARL S. GWIN. Louisville. Ky.
MOST REV. EDWARD J. HANNA, San Francisco, Cal.
MRS. OLIVER HARRIMAN. New York
DR. A. W. HARRIS. New York
REV. DR. LEON HARRISON, St. Louis, Mo.
COL. GEORGE HARVEY. Deal, N. J.
THOMAS HASTINGS, New York
J. A. HAYES, Colorado Springs, Colo.
MRS. WILLIAM RANDOLPH HEARST, New York
REV. DR. S. HECHT. Los Angeles, Cal.
REV. DR. MAXIMILIAN HELLER, New Orleans, La.
ALEXANDER J. HEMPHILL, New York
DR. ARCHER W. HENDRICK
President University of Nevada
DR. JOHN GRIER HIBBEN
President Princeton University
DR. A. R. HILL
President University of Missouri
REV. JOHN HAYNES HOLMES, New York
LOUIS J. HOROWITZ, New York
J. T. HOWELL, Nashville, Tenn.
BISHOP EDWIN H HUGHES, San Francisco,
GEORGE EDWARD IDE, New York SAMUEL INSULL, Chicago, 111. MRS. SAMUEL INSULL, Chicago, 111.
Cal.
MRS. POTTER PALMER, Chicago, 111. MRS. C. PARSONS. San Francisco, Cal. JAMES A. PATTEN, New York HON. JAMES G. PATTEN, Chicago, 111. DR. JOHN L. PATTERSON
President University of Louisville ROBERT A. PATTERSON, Tarrytown, N. Y. R. A. PEARSON
President Iowa State College of C. and A. Art* DR. W. CAMPBELL POSEY. Philadelphia, Pa. MRS. CHARLES A. POTTER, Philadelphia, Pa. MRS. JOSEPH PULITZER, New York MAJOR GEORGE HAVEN PUTNAM, New York
E. C. JAMESON, New York DR. DAVID STARR JORDAN
President Stanford University
REV. J. H. JOWETT, New York
MRS. OTTO H. KAHN, New York
REV. DR. BERNARD M. KAPLAN, New York
LOUIS G. KAUFMAN, New York
MISS HELEN KELLER, Wrentham, Mass.
DR. WILLIAM J. KERR
President Oregon Stale Agricultural College DR. J. T. KINGSBURY
President University of Utah ROLAND F. KNOEDLER, New York REV. DR. LOUIS J. KOPALD, Buffalo, N. Y. REV. NATHAN KRASS. Brooklyn
HON. FRANKLIN KNIGHT LANE
Secretary of the Interior HON. ROBERT LANSING
Secretary of State BISHOP WILLIAM LAWRENCE, Boston, Mass. JOSEPH LEITER, Washington, D. C MAURICE LEON, New York GASTON LIEBERT
Consul General of France, New York MRS. NICHOLAS LONGWORTH, Washington, D. C. EUGENE LEVERING, Baltimore, Md. DR. JOHN L. LOWES
Dean Washington University MRS. PHILIP LYDIG, New York REV. FREDERICK LYNCH, New York REV. DR. ALEXANDER LYONS, Brooklyn
THOMAS H. MACBRIDE
President Emeritus State University of Iowa HOWARD McCLENAHAN
Dean Princeton University HON. WILLIAM C. McADOO
Secretary of the Treasury DR. H. N. MacCRACKEN
President Vassar College REV. CHARLES S. MacFARLAND, New York CLARENCE H. MACKAY, New York RICHARD C. MacLAURIN
President Massachusetts Institute of Technology MRS. JOHN A. MACY, Wrentham, Mass. DUDLEY FIELD MALONE, New York REV. DR. SAMUEL MARKS, San Antonio, Tex. A. M. MARSHALL, Duluth, Minn. MRS. JAMES MARWICK, New York. MRS. JOHN J. MASON, New York SAMUEL MATHER, Cleveland, Ohio DR. CHARLES H. MAY, New York EDWIN P. MAYNARD, Brooklyn REV. RANDOLPH H. McKIM, Washington, D. C. HULETT C. MERRITT, Los Angeles, Cal. REV. MAX J. MERRITT, Evansville, Ind. REV. DR. MARTIN A. MEYER, San Francisco. Cal. DR. SIDNEY E. MEZES, New York MAJOR JOHN PURROY MITCHEL,
Ex-Mayor New York City ADELBERT MOOT, Buffalo, N. Y. DANIEL N. MORGAN, Bridgeport, Conn. REV. J. D. MORRISON, Duluth, Minn. REV. JOSEPH A. MULRY, S. J.
President Fordham University FRANK A. MUNSEY, New York
REV. MORRIS NEWFIELD, Birmingham, Ala. DR. ERNEST FOX NICHOLS
President Dartmouth College
JUSTICE MORGAN J. O'BRIEN, New York MRS. HERMANN OELRICHS. New York BISHOP CHARLES S. OLMSTEAD, Denver, Colo.
REV. DR. MARIUS RANSON, Paterson. N. J. JOSHUA T. RAYNOLDS, Albuquerque, N. M. MRS. ALEXANDER HAMILTON RICE. New York WILLIAM GORHAM RICE, Albany, N. Y. REV. DR. WILLIAM ROSENAU, Baltimore, Md. DR. FRANCIS H. ROWLEY, Boston, Mass. REV. CHARLES A. RUBENSTEIN, Baltimore, Md. JAMES E. RUSSELL
Dean Teachers' College, New York
CHARLES H. SABIN, New Y'ork
MRS. RALPH SANGER, New York
MRS. PRESTON SATTERWHITE, New York
REV. DR. TOBIAS SCHAUFARBER, Chicago, 111.
DR. JACOB GOULD SCHURMAN
President Cornell University MRS. HENRY T. SCOTT, Burlingame, Cal. CHARLES F. SCRIBNER, New York JOHN L. SEVERANCE, Cleveland, Ohio DR. WM. ARNOLD SHANKLIN
President Wesleyan University REV. DR. JOSEPH SILVERMAN, New York WALLACE D. SIMMONS, Philadelphia REV. ABRAM SIMON, Washington, D. C. MRS. FFOULKE SMITH, Washington, t>. C. ALFRED SPENCER, JR., Hartford, Conn. W. E. STEVENS, Sioux Falls, S. D. DR. J. ROSS STEVENSON
President Theological Seminary, Princeton U. S. STEWART, El Paso. Tex. REV. HENRY A. STIMSON, New York REV. ERNEST M. STIRES, New York DR. CHARLES H. STOCKTON
President George Washington University J. W. STOLL, Lexington. Ky. DR. WINTHROP E. STONE
President Purdue University
E. T. STOTESBURY. Philadelphia, Pa'. JULIAN STREET, Greenwich, Conn. DR. HENRY SUZZALOO
President University of Washington
LORADO TAFT, Chicago, 111. DR. CHARLES F. THWING
President Western Reserve University FRANK TILFORD, New York REV. FLOYD TOMKINS, Philadelphia, Pa. MILTON TOOTLE, Jr., St. Joseph, Mo. REV. DONALD S. TUTTLE, St. Louis, Mo.
F. D. UNDERWOOD, New York
MRS. CORNELIUS VANDERBILT, New York WILLIAM K. VANDERBILT, New York
EDWIN WARFIELD, Baltimore, Md. CHARLES ELLIOT WARREN, New York RAPHAEL WEILL, San Francisco, Cal. BISHOP R. H. WELLER, Fond du Lac, Wis. DR. BENJAMIN IDE WHEELER
President University of California H. V. WHIPPLE, New Haven, Conn. BRIG.-GEN. W. A. WHITE, British Army, New York HON. CHARLES S. WHITMAN,
Governor of the State of New York ELI WHITNEY, New Haven, Conn. RAY LYMAN WILBUR
President Leland Stanford University ANSLEY WILCOX, Buffalo, N. Y. HON. WILLIAM B. WILSON
Secretary of Labor REV. DR. STEPHEN S. WISE, New York REV. HORACE J. WOLF, Rochester, N. Y. REV. DR. LOUIS WOLSEY, Cleveland, Ohio GEORGE WOODRUFF, Joliet, 111. JOHN NORTH WILLYS, Toledo, Ohio MRS. J. N. WILLYS, Toledo, Ohio
Catalogue of Works of Art Donated
To Be Sold for Our Blind Soldiers
Oil Paintings
ALBRIGHT, HENRY J., Glenmont, N. Y.
1. NOCTURNE. 23 X 17>i. DONATED BY THE ARTIST
This is by the director of fine and applied arts in the School of Arts and Crafts at Troy, New York.
ALEXANDER, CLIFFORD G., Brighton, Mass.
2. A GRAY SPRING DAY. 18KXI3. DONATED BY THE ARTIST
ALLEN, JOEL NOTT, New York
3. READY FOR THE DANCE. 12 X 22. DONATED BY THE ARTIST
AMES, MAY, Cleveland, O.
4. "morning on brady's Lake." 35^ x 30^- donated by the artist
ATWATER, JEAN H., New Haven, Conn.
5. A RAINY DAY ON THE MAINE COAST. 12 X 9. DONATED BY THE ARTIST
BAILEY, HENRY TURNER, North Scituate, Mass.
6. THE FLUSH OF THE DAWN. \~J X 12. DONATED BY THE ARTIST
BAKER, HARRIET, New York
7. WINDERMERE. 9 X 8. DONATED BY THE ARTIST
BARNETT, LER0Y, New York
8. SUNSET IN NEW HAMPSHIRE. 1 5 >2 X \\]4
9. CLEAR SUMMER DAY, MAINE COAST ISLAND. l6 X 12
DONATED BY THE ARTIST
BARRETT, ELIZABETH HUNT, Amherst, Va.
|
10. |
HOUSE |
AT BLARACOM, HOLLAND. II X 7 |
|
II. |
BEECH |
woods. 14 x 17 DONATED BY THE ARTIST |
BARRY, EDITH C, Montclair, N. J.
12. THE HARBOR. 28K X lb. DONATED BY THE ARTIST
BEAL, REYNOLDS, Atlantic City, N. J.
13. PROVINCETOWN BEACH. 30x25. DONATED BY THE ARTIST
BEAUMONT, ARTHUR, New York
14. A MARCH DAY. I $}4 X I I K . DONATED BY THE ARTIST
BEAUX, N. A. CECILIA, New York
15. DECORATIVE FIGURE. 4OX56. DONATED BY THE ARTIST
BECKET, MARIA A. (Deceased)
16. WHEN THROUGH THE VALE THE MISTS OF AUTUMN GLIDE. 24 X 20. DO- NATED BY THE LATE WILLIAM MICHEL, NEW YORK, SHORTLY BEFORE HIS DEATH
BECKWITH, ARTHUR, San Francisco, Calif.
17. MORNING NEAR SAN RAFAEL, CAL. 1 8 X 2314. DONATED BY THE ARTIST
BERNSTEIN, T. F.,' New York
18. THE FLOWER MAKERS. I4 X l8. DONATED BY THE ARTIST
BERZEVIZY, JULIUS, Atlanta, Ga.
19. WINDY DAY. 21 X I$}4. DONATED BY THE ARTIST
BISSELL, S., Boston, Mass.
20. LAFAYETTE BROOK. IJ X I4. DONATED BY THE ARTIST
BLACKSTONE, HARRIET, Glencoe, 111.
, 21. PORTRAIT SKETCH OF A GIRL WITH GOLDEN HAIR. IJ}4 X 24. DONATED BY THE ARTIST
BLUMENSCHEIN, A.N. A.; MARY GREENE, New York
22. THE MIRROR. I9K X 26. DONATED BY THE ARTIST
Before her marriage Mrs. Blumenscheiri had won medals at the Salon under her maiden name of Mary Sheppard Greene.
BOGERT, A.N. A.; GEORGE H., New York
23. ON THE RIVER LYS. I4X 20. DONATED BY GEORGE H. STORY, A.N. A., NEW
YORK
This picture is of great historic interest. It is along the River Lys that the Germans are making one of the greatest "drives" in this greatest of all wars.
BOOG, CARLE M., New York
24. WYANDOTTES. 30 X 40. DONATED BY THE ARTIST
Mr. Boog is a Swiss by birth and has worked in Paris under Bonnat.
BOSTON, FREDERICK J., New York
25. THE MINER. I5KX2I
26. EVENING. I9K X I4
DONATED BY THE ARTIST
BOWEN, BENJAMIN J., Concarneau, Finistere, France
27. PROCESSION OF THE COMMUNICANTS, BRITTANY. 21%" X 32. DONATED BY
THE ARTIST
Mr. Bowen was a pupil of Robert Fleury and Bouguereau, and has passed many years in Brittany where this scene was painted.
BOYLE, C. W., New Orleans, La.
28. AT THE ISTHMUS, SANTA CATALINA ISLANDS, CAL. J}4 X IOK- DONATED
BY THE ARTIST
BREMER, ANNE M., San Francisco, Cal.
29. THE WHITE SANDS OF CARMEL. 21 X l6. DONATED BY THE ARTIST
BRIGHAM, W. COLE, Shelter Island Heights, N. Y.
30 SYCAMORES, SHELTER ISLAND. 30 X 20. DONATED BY THE ARTIST
Mr. Brigham has made curious and interesting experiments in the direct use of shells and other marine objects to get artistic effects.
BROOKE, LENA R., Norfolk, Va.
31. STILL LIFE. 30 X 25. DONATED BY THE ARTIST
6
BROUGH, WALTER H., Philadelphia, Pa.
32. THE ORANGE VALLEY. 2_< X 30. DONATED BY THE ARTIST
BROWN, HORACE, East Orange, N. J.
22- THE SAW MILL. iy/2 X I7>2. DONATED BY THE ARTIST
BRUMBACK, LOUISE UPTON, New York
./ 34. ON THE BEACH. 25 X 20. DONATED BY THE ARTIST
Mrs. Brumback was a favorite pupil of the late William M. Chase, and in this strand scene she exemplifies the fresh vivid touch that Chase used to commend in his followers.
Jb-
4'1-
BUCHTERKIRCH, A., Rochester, N. Y.
AUTUMN MAPLES. l6x 12. DONATED BY THE ARTIST
BURBANK, WM. E., Manchester, N. H.
36. OLD WILLOWS AT CAPE ELIZABETH, MAINE. 19^ X Is. DONATED BY THE
ARTIST
BURDICK, H. D., Maiden, Mass.
37- EARLY MORNING. 35K X 24. DONATED BY THE ARTIST
BULLARD, MARION R., Woodstock, N. Y.
38. LANDSCAPE SKETCH. 8j< X IO>i. DONATED BY THE ARTIST
BURLINGAME, C. A., Nanuet, N. Y.
39. THE OLD HOMESTEAD. 27 X 3$. DONATED BY THE ARTIST
BURNSIDE, CAMERON, Paris, France
40. MARKET IN TUNIS. 46 X 35. DONATED BY THE ARTIST
BUSEY, NORVAL H., New York
41. IN NORMANDY. l6x20. DONATED BY THE ARTIST
BUTLER, MARY, Philadelphia, Pa.
42. ST. IVES. IIJ^X9K
43. THE ARBOR IN SUMMER. I3K X 9K
44. SAND DUNES, OGUNQ.UIT. 12 X IO
45. BUNDORAN ROCKS, IRELAND. 12 X IO
DONATED BY THE ARTIST
BUZBY, ROSELLA T., Philadelphia, Pa.
IN FISHER'S HOLLOW. 8 X IO^. DONATED BY THE ARTIST
CALDER, NANETTE, New York
47. STUDIO SKETCH. I c, X l8. DONATED BY THE ARTIST
CANALE, ANTONIO ("CANALETTO")
48. VIEW ON THE GRAND CANAL, VENICE. 31 X 22. DONATED BY MR. GEORGE
BLUMENTHAL, NEW YORK
These eighteenth century views of the Grand Canal of Venice are curious for the com- parisons that can be made as to towns, shipping and gondolas between what, they were then and what they are now.
CANTWELL, JAMES, Amber, N. Y.
49. newman's falls. 9 x 12. donated by the artist
CARLISLE, MARY HELEN, New York
50. ANN HATHAWAY'S COTTAGE. 23 X lj}4
Miss Carlisle took the McMillin prize at the exhibition of Woman Painters and Sculptors in 1914. Here is a pretty view of the cottage at Stratford-on-Avon that no American fails to visit who follows the Shakespeare trail — a delightful memento such as cannot be found by the tourist who goes to the Shakespeare shrine itself.
7
51. THE LAKES OF KILLARNEY. 32 X 24
It would be difficult to embrace the winding waters and islands of Killarney in one can- vas. Miss Carlisle chooses the view across the fountain of Killarney House and gives a good impression of that charmful scene.
DONATED BY THE ARTIST
CARPENTER, F. G., Webster Grove, Mo.
52. DECORATIVE FIGURE. 20 X T] . DONATED BY THE ARTIST
Mr. Carpenter has won medals here and abroad. (Note: On the back of the canvas there is another painting — a landscape.)
CLARK, ELIOT, New York
53. WIND BLOWN TREES. 2J}4x \\]4. DONATED BY THE ARTIST
CLARK, MRS. MARSHALL, New York
. 54. PORTRAIT OF A CHILD. 1 8 X 22. DONATED BY THE ARTIST
CHELMINSKI, JEAN, New York
55. ROTTEN ROW, HYDE PARK, LONDON. 52 X 38^. DONATED BY MR. HENRY
SELIGMAN, NEW YORK
Although a Polish artist working in France this painter of war and sporting pictures makes America his adopted home.
CHURCHMAN, E. MENDELHALL, Philadelphia, Pa.
Miss E. Mendelhall Churchman donated seven small oil paintings for the Exhibition, but up to the time this catalogue was printed they had not been received, having gone astray in transit.
COAST, OSCAR R., Pasadena, Cal.
56. SOUTHERN CALIFORNIA DESERT. l6^X IIJ4. DONATED BY THE ARTIST
COFFIN, MRS. WILLIAM H., Chestnut Hill, Mass.
57. WINTER. l6 X 12. DONATED BY THE ARTIST
CONANT, MARJORIE, Boston, Mass.
58. THE OLD HOME. 26 X 22. DONATED BY THE ARTIST
COOK, H. AMOS
59. LANDSCAPE. 30 X 25. DONATED BY MRS. ELIZA G. RADIKE, PROVIDENCE,
R. I.
COOLIDGE, MOUNTFORD, New York
60. HILL COUNTRY IN WINTER. 34 X 30. DONATED BY THE ARTIST
COOLIDGE, ROSAMOND, Watertown, Mass.
61. STILL LIFE. 15^ X 11^- DONATED BY THE ARTIST
CONROY, GEORGE T., New York
62. RUSSET AND GOLD. l6x 12. DONATED BY THE ARTIST
CORY, KATE, Prescqtt, Ariz.
63. HERMIT TRAIL AT SUNSET. 37 X 24^. DONATED BY THE ARTIST
A sweeping view in the Grand Canon of the Colorado. The red strata are treated in broad masses so as to simplify greatly the impression of manifold colors in the level masses.
CRAIG, ANNA BELLE, Pittsburgh, Pa.
64. THE WOODLAND PLAYERS. I4 X 20. DONATED BY THE ARTIST
CRITCHER, CATHERINE C, Washington, D. C.
65. PROVINCETOWN SKETCH. 1 8 X 22. DONATED BY THE ARTIST
PORTE FLEURIE
BY
William T. Dannat
CROSS, AMY, New York
66. KATWIJK GIRL KNITTING. 24 X 32K- DONATED BY THE ARTIST
Miss Cross studied under Jakob Maris and A. Nevvhuys at The Hague and also in Paris where she developed her fine color sense and sound drawing.
CROSS, SALLY, Boston, Mass.
67. FRUIT AND FLOWER PANEL WITH PARROT. T] X 4I. DONATED BY THE
ARTIST
CROUGHTON, G. HANMER, Rochester, N. Y.
68. THE SHRIMPER. i7Kx.HK
69. THE LEAGUE LONG ROLLERS THUNDERING ON THE REEF. 26K X II
DONATED BY THE ARTIST
CURRIER, E. W., San Francisco, Cal.
70. HALF DOME FROM THE SHORT TRAIL, YOSEMITE. 6oX4lK- DONATED BY
THE ARTIST
Mr. Currier is a California artist who has received several silver medals for landscapes of the Western Slope.
DANNAT, WILLIAM T., Paris, France
71. LA PORTE FLEURIE. 37 X 23. DONATED BY THE ARTIST
Special landscape painted for the artist's own pleasure rather than for the public, show- ing a choice bit of old time France. Mr. Dannat is President of the Society of American Artists in Paris and Commander of the Legion of Honor. He has won several gold medals.
DARTIGUENAVE, PAUL, New York (Deceased)
72. PONT ALEXANDRE III. 21 X I4K- DONATED BY MR. DARTIGUENAVE SHORTLY
BEFORE HIS DEATH
DASCENZO, NICOLA, Philadelphia, Pa.
73. INDIAN STUDY. I7K X 213,^. DONATED BY THE ARTIST
DAVIES, ARTHUR B., New York
74. WINE-SPILLED PORTAL. I3XII. DONATED BY THE ARTIST
DAVIS, ARTHUR F., Acton, Mass.
75. AUTUMN IN NEW ENGLAND. OIL PAINTING, 24 X 17
76. THE PASTURE WALL. OIL PAINTING, 20 X I4K
DONATED BY THE ARTIST
DAVIS, CORNELIA C, Cincinnati, O.
77. CLARA LORING OF THE GRAND OPERA. I2K X 17. DONATED BY THE ARTIST
DA VOL, JOSEPH B., Ogunquit, Me.
78. WINTER MORNING IN THE WOODS. 21 X 1 7. DONATED BY THE ARTIST
DE HAVEN, ELIZABETH, New York
79. POTUCK CREEK, NEAR CATSKILL, N. Y. l6xI2. DONATED BY THE ARTIST
DE HAVEN, FRANK, New York
80. BALM OF GILEADS AND WILLOWS, YORK BEACH, MAINE. 24 X 20. DONATED
BY THE ARTIST
DETHLOFF, P. H., Salt Lake City, Utah
81. THE WINTER SCENE. I4K X 19
82. THE LAST JOURNEY. 20 X 25
Perhaps the scenery of the Great Salt Lake, Utah, suggests the pomp of death; perhaps the artist was thinking of the men in Europe hurried to the grave. In this picture he strikes the solemn and sublime, like "The Isle of the Dead" which brought so much fame to Bocklin.
DONATED BY THE ARTIST
DETWILLER, FREDERICK, New York
\Z" %^. A PARDON- CROSS IN BRITTANY. 2 < X 2 I ' 4 . DONATED BY THE ARTIST
DEVOLL, USHER F., Providence, R. I.
84. PARK ROW, NEW YORK, AT NIGHT. 2~ X 21
S5. SUNSET GLOW, NEW ENGLAND BIRCHES, AUTUMN. \(j\i X \^lA
1 he view of Printing House Square and the old Times Building is a plunging one taken
In mi the New York World Building.
DONATED BY THE ARTIST
DEXTER, MARY I.., Milwaukee, Wis.
86. EARLY JUNE. I9,1. X \\}i. DONATED BY THE ARTIST
DODGE, F. FARRAND, Cincinnati, O.
87. THE HAY DOCK.. 1 8 X II'4. DONATED BY THE ARTIST
DONOHO, RUGER (Deceased)
88. OLD HOOK MILL AT SUNSET. 28^X15. DONATED IN THE ARTIST'S MEMORY
BY HIS WIDOW, MRS. RUGER DONOHO, EAST HAMPTON, N. Y.
The late Ruger Donoho lived at East Hampton, and used to paint all about that pic- turesque village. The I look Pond is overlooked by his old cottage and this view was taken not far from his famous flower garden.
DOW, LELIA A., Madison, Wis.
89. SUMMER DAY. 14^ X l8<4. DONATED BY THE ARTIST
DOWNES, JOHN I. H., New Haven, Conn.
90. A VISTA. l8 X 22. DONATED BY THE ARTIST
DREIF.R, KATHERINE S., New York
91. A SPANISH GARDEN. 23x33. DONATED BY THE ARTIST
DRURY, WILLIAM H., Providence, R. I.
92. THE BROOK IN WINTER. 20 X l6. DONATED BY MRS. ELIZA G. RADIKE,
PROVIDENCE, R. I.
DUFNER, A.N.A.; EDWARD, New York
93. THE END OF A DAY. 29x33. DONATED BY THE ARTIST
Mr. Dufner has the secret of painting floods of sunshine, making the greensward gay and turning an Autumn tree into fairy gold.
DWIGHT, JULIA S. L., Brookline, Mass.
94. OPHELIA ROSES. 12 X 1 6 ' _, . DONATED BY THE ARTIST
EARHART, JOHN P., Cincinnati, O.
95. MORNING. 25 X l8. DONATED BY THE ARTIST
EATON, CHARLPS WARREN, New York
96. THE CYPRESSES BELLAGIO. 20X24- DONATED BY THE ARTIST
PDMONDSON, WILLIAM J.
97. PERKIX'S COVE MAINE COAST. 20 X 24. DONATED BY THE ARTIST
EDWARDS, GEORGE WHARTON, New York
98. SUMMER SEA AND ROCKS, ISLE OF SHOALS. 24x20'.,. DONATED BY THE ARTIST
EGGLESTON, BENJAMIN, New York
99. MOONRISE AT OLD LYME. iS X IO. DONATED BY THE ARTIST
ENNIS, GEORGE P., New York
IOO. PASSING OF THE BIG TREES. 36 X 30. DONATED BY THE ARTIST
II
ERDMANN, CHARLES E., Dayton, Ky.
101. WINTER. 8 X IO. DONATED BY THE ARTIST
ERICSON, DAVID, Provincetown, Mass.
102. THE LAVENDER PARASOL. 36 X l^yi. DONATED BY THE ARTIST This artist was a pupil in Paris of Whistler and later worked with Chase. Mr. Ericson is a Swede by birth.
ERTZ, EDWARD, R.B.A.— Sussex, England
103. THE OLD OAKEN BUCKET. 24X X 20>4. DONATED BY THE ARTIST
EVERS, IVAR E., Tillson, N. Y.
104. GOLDEN AUTUMN. I9K X 2^}4. DONATED BY THE ARTIST
FAIVRE, TONY
105. THE READER. I434X l8. DONATED BY CLEMENT S. HOUGHTON, BOSTON, MASS.
Smooth enamel-like flesh beautifully drawn — reds, blues and greens chosen with excel- lent taste make this figure by Faivre a very choice bit of painting. It is the technique of half a century ago with all its virtues of solidity, permanence and relief. Tony Faivre was born in 1830. The picture is signed and dated 1872.
FANCY, LYMAN, Forest Hills, L. I.
106. STILL LIFE. 7x5. DONATED BY THE ARTIST
FASSETT, TRUMAN E., Elmira, N. Y.
IO/. ARRANGEMENT IN GREY AND BLACK. 1,2 X 29J2'. DONATED BY THE ARTIST
FAY, NELLIE, San Francisco, Calif.
108. SACRAMENTO SUBURBS. J }4 X IIJ4. DONATED BY THE ARTIST
FEHRER, OSCAR, New York
109. STUDY7 OF A HEAD. I5KX K)^. DONATED BY" THE ARTIST
FIELD, HAMILTON EASTER, New York
110. CHASE'S POND. l6 X 12. DONATED BY' THE ARTIST
FINCKEN, JAMES H., Philadelphia, Pa.
111. DELAWARE PASTURE. 25x20
112. AUTUMN SCENE. 25x20
DONATED BY THE ARTIST
FOLINSBEE, JOHN F., New Hope, Pa.
113. THE HALL ON THE GREEN. I5KX l^/i. DONATED BY THE ARTIST
FOOTE, MARY, New York
114. PAINTING OF FLOWERS (TULIPS). IJ}4 X 21. DONATED BY THE ARTIST
FORSYTH, W., Indianapolis, Ind.
115. SPRING. 20X24. DONATED BY THE ARTIST
FORTUNE, E. CHARLTON, San Francisco, Cal.
116. MARINE SKETCH. l6x 12. DONATED BY THE ARTIST
FOSTER, BEN, N.A., New York
117. ON THE COAST OF CALIFORNIA. II^X9K- DONATED BY THE ARTIST
Mr. Foster is a great prize and medal winner with his landscapes charged with senti- ment, j'et true to nature. Last year he took the gold medal and prize at the exhibition of the National Arts Club.
ON THE RIVER LYS
BY
George H. Bogert
Aside from the great artistic merit of this painting the peaceful scene it depicts renders it of great historic interest. It is along the valley of the Lys that the Germans on March 21 last launched one of the mightiest drives of the war, their objective being Hazebrouck. The main railroad from Calais eastward passes through- this city, to which converge also nu- merous branches of the main supply line of the British troops between the North Sea and Arras, the bastion which guards the northern flank of the Allied army before Amiens. At the time this catalogue went to press the German line was only five miles from Hazebrouck.
13
FROMKES, MAURICE, New York
I 1 8. PEREZ THE POET. 36 X 50. DONATED BY THE ARTIST
A portrait painted in 1912, three-quarter length, of a Russian anarchist whose face recalls that of Edgar Allan Poe.
GARRETT, EDMUND H., Boston, Mass.
119. SURF AT NAHANT. 24 X l8>^. DONATED BY THE ARTIST
GERNHARDT, HENRY F., Framingham, Mass.
120. STILL LIFE. 30x24
121. ON THE EDGE OF THE LAKE. 2634 X 3 1 }<
DONATED BY THE ARTIST
GIHON, CLARENCE M., Paris, France
122. CHURCH OF ST. SAULVE, AT MONTREUIL. 25 X 20><. DONATED BY THE
ARTIST.
GLACKENS, WILLIAM J., New York
123. SKETCH OF A GIRL IN BLUE. 18x24. DONATED BY THE ARTIST
GORE, THOMAS H., Covington, Ky.
124. THE GYPSY QUEEN. 21 X 243.4. DONATED BY THE ARTIST
GORSON, A. H., Pittsburgh, Pa.
125. UNITED STATES STEEL MILLS. 1^)4, y^ ly/,. DONATED BY THE ARTIST
GOTTHOLD, FLORENCE W., New York
126. SINGLE ROSES. l6 X 22. DONATED BY THE ARTIST
GRAY, KATHRYN, New York
127. HUDSON RIVER, NEAR NEW YORK. 2I>£ X \^A- DONATED BY THE ARTIST
GREENBAUM, JOSEPH, Los Angeles, Calif.
128. "MAMMY," HEAD OF A COLORED WOMAN. \0>yi X IC)K- DONATED BY THE
ARTIST
GRUPPE, CHARLES PAUL, New York
129. COME ON IN, THE WATER'S FINE. I4 X l6. DONATED BY THE ARTIST
GUE, T. D., New York
130. MOONLIGHT AT LONG BEACH. I4 X IO. DONATED BY HARRY D. GUE, NEW
YORK
GUERIN, JULES, New York
131. THE MOSQUE OF OMAR, JERUSALEM. I9K X 29^. DONATED BY THE /, ARTIST
GUTMANN, BERNHARD, Norwalk, Conn.
132. FLOWER PIECE. 23K X 1%l/i. DONATED BY THE ARTIST
Mr. Gutmann studied in Dusseldorf, Karlsruhe and Paris. He is a member of many art societies.
14
HAINES, B. AYLESWORTH, Rochester, N. Y.
133. SALMON CREEK, N. Y. 1 9 X 1 5. DONATED BY THE ARTIST
HALSALL, W. F., Provincetown, Mass.
134. SQUALLY WEATHER. 35^ X l^/i. DONATED BY THE ARTIST
HARDWICK, ALICE R., Annisquam; Mass.
135. THE WAR GARDEN, SPRING 1 9 1 7. 1 () \ 2 X I <. DONATED BV THE ARUM-
HARPER, NINA, New Orleans, La.
136. THE ABSINTHE HOUSE, NEW ORLEANS. 26 X l8. DONATED BY THE ARTIST
HARRISON, BIRGE, N.A., Woodstock, N. Y.
l~]~. CANADIAN FARM IN WINTER. 2Q X 24. DONATED BY THE ARTIST
Mr. Harrison has taken medals and prizes here and abroad. He is Hors Concours at the Paris Salon.
HARWOOD, J. T., Salt Lake City, Utah
138. THE DUNES NEAR ETAPLES. IvX 12
139. MOONLIGHT. IsX 12
DONATED BY THE ARTIST
HASKELL, IDA C, New York
140. ASTERS. l8j2 X T4.I2. DONATED BY THE ARTIST
HAWORTH, EDITH, New York
141. OLD APPLE TREES, CAPE COD. I4X IO. DONATED BY THE ARTIST
HAYES, LEE, Butte, Mont.
142. SEPTEMBER IN THE ROCKIES. 1 7 ' 2 X 12.
143. EARLY MORNING JEFFERSON VALLEY. IJ^XIlK
DONATED BY THE ARTIST
HAYS, WILLIAM J., A.N. A., Milbrook, N. Y.
144. FOR FRANCE. I I X 7#. DONATED BY THE ARTIST
Mr. Hays has won prizes in various competitions.
HECHT, VICTOR DAVID, New York
I4;. FRENCH PEASANT CHILD. 1 3 X l6. DONATED BY THE ARTIST
Mr. Hecht was born in Paris, where he studied under Lefebvre and j'Fony Robert
Floury.
HEFFERMAN, WILLIAM L., Brockton, Mass.
146. SEPTEMBER. IfKXIlK. DONATED BV THE ARTIST
HELLER, EUGENIE M., Fast Gloucester, Mass.
147. SUNRISE. 23>2XIII2. DONATED BY THE ARTIST
Miss Heller has painted in Paris under Aman Jean and in Xew York under Alden W eir.
15
HENRI, ROBERT, New York
148. BLIND SINGING WOMAN WITH GUITAR. 33X4I. DONATED BV THE ARTIST
Mr. Henri writes: "This picture is one in which I put my deepest feeling and the paint- ing is as well as anything I have done. In fact, I consider it one of my very best pictures. It has never been shown to the public because there are so few to sympathise with or understand a frank facing with the tragedy of blindness. My feeling at the time of the painting was to meet it frankly, with all my heart and without sentimentality. Senti- mentality is a protective mist which life-slackers throw about themselves to obscure from their consciousness the reality — they wish to pity but they do not wish to share the hurt."
HILL, ARTHUR TURNBULL, New York
149. BEACH GRASS AND SURF. l6x I1}i. DONATED BY THE ARTIST
HILLBOM, HENRIK, Wallingford, Conn.
150. THE SKETCHER. I9XI6
151. THE MAKING OF AN AMERICAN. 24 X %(j}4
DONATED BY THE ARTIST
HIRSCHBERG, CARL, New York
152. IN BRITTANY. I4 X 20. DONATED BY THE ARTIST
HITCHCOCK, D. HOWARD, Honolulu, Hawaiian Islands
153. SEASIDE BIT, HAWAIIAN ISLANDS. I2Xl6
154. NUNANU PALI GAP, HONOLULU, H. I. l6 X 12
DONATED BY THE ARTIST
HOLMAN, ABIGAIL, Denver, Colo.
155. MICHIGAN WOODS. I3><Xl8K- DONATED BY THE ARTIST
Miss Holman is director of the Fine Arts Academy of Denver, Colo.
HOWARD, MARION, Washington, D. C.
156. IN THE COUNTRY, BELGIUM. C^]/2 X 9
157. GREAT FALLS OF THE POTOMAC. \y/2 f. Wyi
158. GARDEN IN BRUGES. 6K X I I
DONATED BY THE ARTIST
HOWITT, JOHN NEWTON, New York
159. THE WHITE BROTHERS. I3XXI9
160. DUNHAM AND SON. l6x I4
161. THE EYES OF LOVE. 23 X 3 I
The Eyes of Love," is the beautiful picture reproduced on the cover of this catalogue and on the posters seen about New York. It was painted specially for the American- British-French-Belgian War Relief Blind Fund by Mr. Howitt. DONATED BY THE ARTIST
HUDSON, CHARLES W., Hyde Park, Mass.
162. OAK TREES MISTY DAY. 63 X 43. DONATED BY THE ARTIST
HULBERT, CHARLES ALLEN, South Egremont, Mass.
163. AN INTERESTING STORY. 20 X 24. DONATED BY THE ARTIST
HULBERT, KATHERINE ALLMOND, South Egremont, Mass.
164. THE BRIDGE. lyA Y. 10}4- DONATED BY THE ARTIST
HURTT, ARTHUR, Los Angeles, Cal.
165. MORNING IN THE WASATCH MTS. I4K X II. DONATED BY THE ARTIST
HUTSON, ETHEL, New Orleans, La.
166. WHITE HARBOR. IIJ<x8j<. DONATED BY THE ARTIST
16
ARRANGEMENT IN GRAY AND BLACK
BY
Truman E. Fassett
17
V
HUTSON, CHARLES WOODWARD, New Orleans, La.
167. SPRING IN AUDUBON PARK. 12 X g}4. DONATED BY THE ARTIST
This is not the Audubon Park that Manhattan Island once knew, which is now a mass of buildings at Broadway and 155th Street, but a park of the same name in New Orleans.
HYDE, WILLIAM H., A.N. A.; New York
168. THE END OF A PERFECT DAY. 34^x24. DONATED BY THE ARTIST
INNES, GEORGE, Jr., New York
169. APPROACHING STORM. 30x20. DONATED BY THE ARTIST
IRISH, MARGARET HOLMES, St. Louis, Mo.
170. EVENING HOUR. 23X X 21. DONATED BY THE ARTIST
Mrs. Holmes has many medals and other marks of distinction for work shown in New York, Chicago, Boston and other cities.
IVES, SARAH NOBLE, Hackensack, N. J.
171. OLD HOUSES AT BRUGES. 15^X22. DONATED BY THE ARTIST
JOHANSEN, JOHN C, N.A., New York
172. BERKSHIRE AUTUMNAL. 34 X 30. DONATED BY THE ARTIST
JOHNSTON, R. LEGRAND, Washington, D. C.
173. RETURN OF THE FLOCK. 30x25. DONATED BY THE ARTIST
JONES, EUGENE ARTHUR, New York
174. MOONLIGHT. 2C)Kx2lK- DONATED BY THE ARTIST
JONES, GRACE CHURCH, Denver, Colo.
175. THE COLONIAL HOUSE. 18x15. DONATED BY THE ARTIST
JUDSON, W. L., Los Angeles, Calif.
176. THE DESERT. 30 X l8. DONATED BY THE ARTIST
KAY, G. A., Alliance, Ohio
177. WOOD INTERIOR. IO X 8. DONATED BY THE ARTIST
KEELER, ROLSTON, New York
178. THE HAUNT OF A CROW. 23 X 19^. DONATED BY THE ARTIST
KEY, MABEL, Milwaukee, Wis.
179. WHITE CHRYSANTHEMUMS ON GREEN GROUND. 15^X25^. DONATED BY
THE ARTIST
KIMBELL, RICHARD M., New York
180. MENDING NETS. l6 X 13. DONATED BY THE ARTIST
KING, JAMES S., Verona, N. J.
181. VERONA, N. J. 30X20. DONATED BY THE ARTIST
Mr. King is an old habitue of the Quartier Latin, and was a student at the Ecole des Beaux Arts when Gt-rSme was at its head.
KIRKMAN, MAY LEWIS CLOSE, New York
182. THE BOY. 20X24. DONATED BV THE ARTIST
KLAGSTAD, AUGUST, Minneapolis, Minn.
183. GOLDEN HILL TOP. I5J&XI8. DONATED BV THE ARTIST
KOOPMAN, JOHN R., New York
184. IN THE CATSKILLS. 24X2O. DONATED BV THE ARTIST
KOPMAN, BENJAMIN D., New York
185. IDVL. IIXI(. DONATED BV THE ARTIST
KNOX, JAMES, New York
186. MOONLIT MEADOWS. I4X II. DONATED BV THE ARTIST
\*S
■87.
KREMELBERG, MARY, Baltimore, Md.
LA LISEUSE. 22 X 28. DONATED BV THE ARTIST
KRONBERG, LOUIS, Boston, Mas..
188. BEHIND THE FOOTLIGHTS. \y/2 X I9. DONATED BY THE ARTIST
Winning the Longfellow three-year scholarship in 1S91. this young artist has shown great versatility and taken medals, etc.
KUSCHE, CARLTON JULES, Oshkosh, Wis.
189. THE SPIRIT OF AVARICE. *J% X 5 •
190. COPY OF GEORGE HITCHCOCK'S FLOWER GIRL. 2~ % X 1 5
DONATED BV THE ARTIST
LACEY, BERTHA, Perrysville, Ind.
191. IN THE BERKSHIRES. 23.K X l8^. DONATED BV THE ARTIST
LACHMAN, HARRY B., Paris, France
192. GARDEN OF NOTRE DAME. 24 X 20. DONATED BV THE ARTIST
LADD, LAURA IX S., Philadelphia, Pa.
193. LOOKING OVER THE WEEDS TO THE VILLAGE. 1 8 X I9K
194. A RAINY DAY AT GLOUCESTER. 22 X 20
DONATED BV THE ARTIST
LAMB, ELLA CONDIE, New York
I9<. THE GARDEN SEAT. 1 8 X 22 Y2. DONATED BV THE ARTIST
LAMB, F. MORTIMER, Stoughton, Mass.
196. WINTER IN ROCKY WOODS. 29 X 24. DONATED BY THE ARTIST
LANG, CHARLES M., New York
197. OMINOUS CLOUDS. l6 X 20. DONATED BY THE ARTIST
LANGHORNE, KATHERINE, New York
198. SKETCH. 8 X 5K. DONATED BY THE ARTIST
LANGZETTEL, GEORGE H., New Haven, Conn.
199. MASON'S ISLAND MYSTIC HARBOR, CONN. l6 X 12. DONATED BV THE ARTIST
LAWSON, ERNEST, N.A., New York
200. ABANDONED FARM. 30 X 25. DONATED BV THE ARTIST
IQ
LAZARUS, M. RACHEL, Shady, N. Y.
201. PAN. IOK X lg}4. DONATED BY THE ARTIST
LE BLANC, E. M. de HOA, New Orleans, La.
202. OxN THE ROAD. 1 5 X 23. DONATED BY THE ARTIST
LE BLANC, MARIE de HOA, New Orleans, La.
203. ON THE SWANNANOA, N. CAROLINA. IJ^Xg^i. DONATED BY THE ARTIST
LE BOUTILLIER, GEORGE, Ridgefield, Conn.
204. BOWL AND NECKLACE. 12 X 1 6. DONATED BY THE ARTIST
LE BOUTILLIER, ISABEL G, Ridgefield, Conn.
205. PETUNIAS. 20K X l6%". DONATED BY THE ARTIST
LEPANO, MARIO
206. THE CONNOISSEURS. 20 X 26. DONATED BY MRS. B. KAUFFMAN, NEW YORK
LICHTENSTEIN, MARIE E. HENRY, New York
207. STILL LIFE. I4X X IJ}4. DONATED BY THE ARTIST
LIE, JONAS, New York
208. SUNLIGHT. 36 X 30^. DONATED BY THE ARTIST
LINDIN, CARL ERIC, Woodstock, N. Y.
209. THE ROAD TO THE SEA. 25K X 32. DONATED BY THE ARTIST
LLOYD, H. S., Hamilton, N. Y.
210. WATER LILIES. I3 X 10}4. DONATED BY THE ARTIST
Mrs. Horatio Lloyd was a pupil of Siddons, Mowbray and Cecilia Beaux.
LOGAN, ROBERT F., Hartford, Conn.
211. PORTRAIT STUDY. 21^X26. DONATED BY THE ARTIST
LORD, HARRIET, Ipswich, Mass.
212. AFTER RAIN. I {% X 17. DONATED BY THE ARTIST
LUCE, LAURA W., Titusville, Pa.
213. SPRING. 12 X 15. DONATED BY THE ARTIST
LUNDBORG, FLORENCE, New York
214. A SUMMER GARDEN. l6 X 20. DONATED BY THE ARTIST
MacCHESNEY, CLARA T., New York
215. A BREEZY DAY. 3OX24. DONATED BY THE ARTIST
MacCORD, CHARLES WILLIAM, Stockbridge, Mass.
216. RED OCTOBER. 1^/2 X IlK- DONATED BY THE ARTIST
MacCORD, MARY N., Bridgeport, Conn.
217. A LOVER OF STORIES. 20 X 26. DONATED BY THE ARTIST
MACOMBER
218. LANDSCAPE. 8 X 5K- DONATED BY MRS. ELIZA G. RADIKE, PROVIDENCE, R. I.
MacGINNIS, H. R., Trenton, N. J.
219. A BIT OF THE DELAWARE VALLEY. l6 X I4. DONATED BY THE ARTIST
20
McCLELLAN, MARY, Philadelphia, Pa.
220. INTERIOR. II^X iyA- DONATED BV THE ARTIST
McCONNELL, EMLEN, Haddonfield, N. J.
221. THE WISE MEN. 20^X26^- DONATED BV THE ARTIST
McEWEN, KATHERINE, Detroit, Mich.
222. WILD SWANS. 39x32. DONATED BV THE ARTIST
McLANE, MYRTLE JEAN, A.N.A., New York
223. THE BREAKFAST. 3OX36. DONATED BV THE ARTIST
McRICKARD, JAMES P., New York
224. CATSKILL COUNTRY, l6x 12. DONATED BV THE ARTIST
MADRAZO, RAIMONDO (deceased), Madrid, Spain
225. BUTTERFLIES. 15 X l8. DONATED BV COLONEL C. S. WADSWORTH, MIDDLE-
TOWN, CONN.
This Spanish painter, a member of a family of painters, came to America several times. Senor Raimondo Madrazo had a great career as a genre painter and was director of the Prado Museum.
MAGEE, JAMES C, Philadelphia, Pa.
226. ON THE BEACH. 2 1 % X l~]}4. DONATED BV THE ARTIST
Mr. Magee took a gold medal for landscape in 1907.
MAHLER, REBECCA, New York
227. A BELGIAN GIRL. II X I4. DONATED BV THE ARTIST
MANN, PARKER, Arkville, N. Y.
228. THE BOUNCING BET. I5K X 12. DONATED BV THE ARTIST
MASSIE, JULIA M., New Orleans, La.
229. COURT YARD OF OLD NEW ORLEANS. I4 X l~]%. DONATED BV THE ARTIST
MATHEWSON, FRANK C, New York
230. THE SURVIVORS. 20 X 2<. DONATED BY THE ARTIST
MESSER, EDMUND C, Washington, D. C.
231. A CONNECTICUT BYWAY. 24 X 17. DONATED BV THE ARTIST
Mr. Messer is principal of the Corcoran School of Art, Washington, D. C. He was a pupil in Paris of Courtois and Morot.
MEYVIS, AIME LEON, Rochester, N. Y.
232. AUTUMN DAY GENESEE VALLEY, PARK CITY. I 8 X 14^. DONATED BV THE
ARTIST
Mr. Meyvis is a Belgian by origin and has many medals to his credit in Europe and America.
MIDDLETON, STANLEY, New York
233. SYMPATHY. 14^ X l8. DONATED BV THE ARTIST
Mr. Middleton worked in Paris under Benjamin Constant and Dagnan Bouveret.
MILLET, THALIA
234. LOW TIDE. 31 X I^A. DONATED BY MRS. R. E. WESTCOTT, NEW YORK
MITCHELL, ARTHUR, St. Louis, Mo.
235. GRAND AVENUE, ST. LOUIS. I9I2 X 2_s. DONATED BV THE ARTIST
MOHLTE, J. A., East Orange, N. J.
236. BALMY DAYS. 20 X I^A- DONATED BY THE ARTIST
Mr. Mohlte was born in Sweden and worked under Laurens and Benjamin Constant in Paris.
MONTGOMERY, ELOISE, Monteagle, Tenn.
237. ALONG THE SHORE PROVINCETOWN. I ij X 13. DONATED BY THE ARTIST
MORRISON, LOUISE GERTRUDE, Bryn Mawr, Pa.
238. OFF BAKER'S ISLAND, MASS. IO X 8
239. A NEW HAMPSHIRE FARM. IO X 8
240. OFF BAKER'S ISLAND LIGHT. IO X 8
241. ROUND POND, N. H. IOx8
DONATED BY THE ARTIST
MORTON, JOSEPHINE A., Williamstown, Mass.
242. THE DOME IN WINTER, WILLIAMSTOWN, MASS. 21 X l6. DONATED BY THE
ARTIST
MUENDEL, GEORGE F., Rowayton, Conn.
243. WINTER WILLOWS. 4O X 291^. DONATED BY THE ARTIST
Pupil of Leonard Ochtman.
MULLER-URY, ADOLPH, New York
244. YOUNG DUTCH GIRL. 9 X I I %. DONATED BY THE ARTIST
MULLIKIN, MARY A., Boston, Mass.
245. IN THE DAUPHINE ALPS. lyA X 15^
246. LAKE WASHINGTON, FROM SEATTLE. I3J4 X IO
DONATED BY THE ARTIST
MUMFORD, JANE JARVIS,
247. SKETCH. 12 X I4. DONATED BY MRS. H. G. PEARSON HIGH FALLS, N". Y.
MUNCY, PERCY W., New York
248. THE CORAL NECKLACE. 20 X 24. DONATED BY THE ARTIST
NOLAN, DANIEL J., Boston, Mass.
249. SPRINGTIME PRIDES CROSSING. 28 X 17^-4. DONATED BY THE ARTIST
NORSTAD, MAGNUS, St. Paul, Minn.
2^0. SUMMER LANDSCAPE. IOXI2
251. COUNTRY ROAD. 15x17
DONATED BY THE ARTIST
NUNN, FREDERIC, West Philadelphia, Pa.
252. SNOWING. 28 X 20. DONATED BY THE ARTIST
Pupil of Anschutz and Chase.
O'KELLY, ALOYSIUS, New York
253. AN OFFERING TO THE VIRGIN. 21 X l^/i. DONATED BY MRS. JAMES S. WAT-
SON, ROCHESTER, N. Y.
OLIVER, FRED C, Phoenix, Ariz.
2^4. MELTING SNOW. 17^X13^ 255. A DAY IN JANUARY. I9X I5K
DONATED BY THE ARTIST 22
rotten row
BY
Jean Chelminski
THE TOILERS
BY
Carl Rakemann
V
PACH, WALTER, New York
2<6. STILL LIFE. 22 X 17. DONATED BY THE ARTIST Pupil of Robert Henri.
PACKARD, MABEL S., Pasadena, Cal.
257. SYCAMORE TREES. I4XIO
258. ON THE BEACH. I4X 10
DONATED BY THE ARTIST
PARKER, CORA, Greenwich, Conn.
259. SOUTHWARD. 22 XI 8. DONATED BY THE ARTIST
PARTON, HENRY W., New York
260. VANITY. I3KXI8. DONATED BY THE ARTIST
PECK, HENRY J., New York
261. THE RACE HORSE AND THE MULE. 11 X 2°/^- DONATED BY THE ARTIST .
PEIXOTTO, GEORGE da MADURO, Paris, France
262. PORTRAIT OF THE LATE PRESIDENT MCKINLEY. 53^x71. DONATED BY
THE ARTIST
Like President McKinley the painter of this portrait is a native of Ohio. In Paris he worked under Meissonier and Munkacsy. He has depicted the President as the man of affairs. With a written speech in his hands, he sits surrounded by books and papers. A good decoration for a Republican club.
PERRY, LILLA CABOT, Boston, Mass.
263. KING BABY. I4X l6. DONATED BY THE ARTIST
PETREMONT, CLARICE, Shelton, Conn.
264. THE JESTER. 12x8^- DONATED BY THE ARTIST
PEYRAUD, F. C, Chicago, 111.
265. SUMMER DAY. 25x15^. DONATED BY THE ARTIST
PLASCHKE, PAUL A., Louisville, Ky.
266. MORNING ELKHORN CREEK, KY. 35X X I^A- DONATED BY THE ARTIST
PLUMB, H. G., New York
267. THE NIGHT EXPRESS. l6l/i X 22. DONATED BY THE ARTIST
POORE, HENRY RANKIN, Orange, N. J.
268. COWS ON ROCKS. 2OXI4. DONATED BY THE ARTIST
POTTHAST, EDWARD H., N.A., New York
269. RETRIEVING. 92 X l^/i. DONATED BY THE ARTIST
PRIOR, CHARLES M., New York
270. A BREEZY DAY IN AUGUST. PANEL, *]% X II. DONATED BY THE ARTIST
PROBERT, SIDNEY W., Paterson, N. J.
271. HOME OF SEA ANEMONES. 24x20. DONATED BY THE ARTIST
PUTHUFF, HANSON, Eagle Rock, Calif.
272. CALIFORNIA LANDSCAPE. 20Xl6. DONATED BY THE ARTIST
24
-o-
RAFTER, CLAUDE HOWARD, Port Washington, N. Y.
VIEW IN PORT WASHINGTON. II^xS. DONATED BY THE ARTIST
RAVLIN, GRACE, New York
PANSIES WD VIOLETS. 22 X I 8. DONATED BY THE ARTIST
READ, HEXRY, Denver, Col".
MOONLIGHT IN COLORADO. l8x 12. DONATED BY THE ARTIST
REIFFEL, CHARLES, Norwalk, Conn.
276. THE COTTAGE. T] X iyA. DONATED BY THE ARTIST
Mr. Reiffel has won prizes and has a picture in the Corcoran Gallery.
RETTIG, JOHN, Cincinnati, Ohio
REYNOLDS, EDITH, Wilkes Bane, Pa.
278. BETWEEN SHOWERS. 23 ■ 2 X I9. DONATED BY THE ARTIST
RHEIN, RUTH VAN WYCK, New York
2~<l. EVENING. 8 X IO. DONATED BY THE ARTIST Miss Rhein is a pupil of the late Henry W. Ranger.
RHETT, HANNAH McCORD, Charleston, S. C.
280. DAY DREAMS. 1 <J X ICjYi. DONATED BY THE ARTIST
Mrs. Rhett has received silver and bronze medals for exhibits. Pupil in Paris ol Laurens and Collin.
RHETT, HANNAH McCORD, Charleston, S. C.
281. FRENCH PEASANT. 24x31. DONATED BY THE ARTIST
RICE, DOROTHY, New York
2S2. EGYPTIAN DANCER. 35K X 74. DONATED BY THE ARTIST
Miss Kin-, who is now Mrs. Waldo Peirce, created a good deal of comment in Paris 51 me years ago with pictures unusual in design. Bold color and attention to the pattern of the picture make this example notable.
RICHARDSON, MARY CURTIS, San Francisco, Calif.
283. SKETCH. I2Xl6. DONATED BY THE ARTIST
Mrs. Richardson is a New Yorker who is married to Mayor Richardson of San Fran She has won several prizes and medals.
RICHARDSON, MARGARET F., Boston, Mass.
284. AN ITALIAN GIRL. I3K X 23. DONATED BY THE ARTIST
Miss Richardson worked under Tarbcll and Major in Boston and has received various prizes and medals.
ROSELAND, HARRY, New York
28;. HAPPY HOURS. 19^X15^- DONATED BY THE ARTIST
Mr. Roseland is one of the few artists who paints our colored brothers and sisters. In this case however he depicts a comely young white mother crooning over her bain in the cradle. Mr. Roseland has won many medals.
ROSENBERG, H. M., Halifax, Nova Scotia
286. THE FISHERMAN'S DAUGHTER. ikyi X \&}A • DONATED BY THE ARTIST
Mr. Rosenberg is an American who studied in Munich.
25
ROSENMEYER, BERNARD J., New York
287. TEA ROSES. I4^XI7^<. DONATED BY THE ARTIST
ROSENTHAL, ALBERT, Philadelphia, Pa.
288. GRACE. 29 X 25^
289. JEANNE. 25 X 30
Mr. Rosenthal is an etcher as well as a painter. He has won several bronze, silver and gold medals, including the American Art Society's gold medal in 1907. DONATED BY THE ARTIST
ROSENVVAY, PAUL, Philadelphia, Pa.
290. HARVEST TIME ON THE HILLS OF MONTFORD l'aMANRY, FRANCE. l^H X C)}4.
DONATED BY THE ARTIST
ST. JOHN, LOLA A., Albany, Ind.
291. A WINTER DAY. 1 7 X I4. DONATED BY THE ARTIST
SAWTELLE, MARY B., Staunton, Va.
292. HUDSON RIVER, JULY, I9I7. 24x20. DONATED BY THE ARTIST
SAWYER, EDITH, New York
293. A HILLSIDE. 8 X IO. DONATED BY THE ARTIST
SCHEVILL, WILLIAM V., New York
294. FORMER PRESIDENT WILLIAM H.TAFT. 4OX57. DONATED BY THE ARTIST
This portrait of the former President is a fine example of Mr. Schevill's well-known wor k
SCHMITZ, ELIZABETH T., Philadelphia, Pa.
295. THE LILACS. 9XI2. DONATED BY THE ARTIST
SCHNEIDER, THEO., Boston, Mass.
296. APPLE BLOSSOMS. 16x14. DONATED BY THE ARTIST
297. A STERN AND ROCK. BOUND COAST. 4O X 30. DONATED BY THE ARTIST
SCHOULER, WILLARD C, New York
298. YOUNG BULL. II^x8X- DONATED BY THE ARTIST
SCUDDER, RAYMOND, New Orleans, La.
299. THE OPEN DOOR. 24 X l8. DONATED BY THE ARTIST
SEEBOLD, MARY, New Orleans, La.
300. STILL LIFE. l8 X I4. DONATED BY THE ARTIST
SHANNON, HOWARD J., New York
301. IN THE DEEP WOODS. I3K X 1 1 yi. DONATED BY THE ARTIST
SHORE, HENRIETTA M., Los Angeles, California
302. PASADENA FLOWER FESTIVAL. 24 X 20. DONATED BY THE ARTIST
26
SILVA, WILLIAM, Carmel-by-Sea, California
303. AFTER THE SHOWER. 4O X 32. DONATED BV THE ARTIST
SMITH, ROSAMOND L., Boston, Mass.
304. SPRING. 31 X 30. DONATED BY THE ARTIST
SMITH, WUANITA, Philadelphia, Pa.
305. KNITTERS ON BASS ROCKS BEACH. I^H X 9S4. DONATED BV THE ARTIST
SOKOLSKY, SULAMITH, New York
306. SPRING. lO^X 1$}4- DONATED BV THE ARTIST
SPADER, W. E., New York
307. A BOOK OF TRAVELS. 8x II. DONATED BV THE ARTIST
SPEAKMAN, MRS. HENRY T., Philadelphia, Pa.
308. THE BAPTISM. Ig}4 X 1 5
309. THE WHITE DISH. I9K X 1 6
DONATED BV THE ARTIST
STANCE, EMILE, North Hackensack, N. J.
310. LATE OCTOBER AFTERNOON. 30 X 25. DONATED BV THE ARTIST
STARK, OTTO, Indianapolis, Ind.
311. SKY WINGS. 32X22. DONATED BY THE ARTIST
STEVENSON, BEULAH ELSIE, New York
312. DINNER TIME. IOJi X I4. DONATED BY THE ARTIST
STROUD, CLARA, East Orange, N. J.
313. THE GREEN DOOR. 20 X I5>2. DONATED BV THE ARTIST
STROUD, IDA W., East Orange, N. J.
314. AUTUMN ELMS. 20 X l6. DONATED BY THE ARTIST
STURTEVANT, HELENA, Newport, R. I.
315. SACHWEST BEACH. 29 X 25. DONATED BY THE ARTIST
TADAMA, F., Seattle, Washington
316. BEGINNING OF THE FISH AUCTION, KATWYK. 30 X 20.
317. SUNNY DAY IN HOLLAND. I9 X 9
DONATED BY THE ARTIST
TAIT, AGNES, New York
318. YOUNG APRIL. ClRCLE, I I }i. DONATED BY ARTIST
TALCOTT, SARAH N., Elmwood, Conn.
319. THE BEND OF THE BROOK. I7X II-'4- DONATED BY THE ARTIST
TANNAHILL, MARY H., New York
320. A FRENCH FAMILY. I4 X IO. DONATED BY THE ARTIST
27
TANNAHILL, SALLIE B., New York
321. PROVINCETOWN STREET. 10 X 12. DONATED BY THE ARTIST
TAYLOR, WILLIAM FRANCIS, Lumberville, Pa.
322. PITTORES. 30 X 25. DONATED BY THE ARTIST
THAYER, GLADYS, Monadnock, N. H.
323. BERMUDA. 28K X l8}4. DONATED BY THE ARTIST
Miss Thayer is a pupil of her father, Abbott H. Thayer, N.A. Her mother was of Czech descent and a painter of no mean ability, so that she gets artistic inheritance both ways.
THEODORE.
324. HAUTE EGYPTE, 9X X 5^. DONATED BY THE LATE WILLIAM MICHEL,
NEW YORK, SHORTLY BEFORE HIS DEATH
THOMPSON, GEORGE ALBERT, Mystic, Conn.
325. OCTOBER AFTERNOON. l6 X 12.
326. BINDLOSS POND. 15^ X IlK
DONATED BY THE ARTIST
TOASPERN, OTTO
327. THE EARLY BIRD. 23 X 34. DONATED BY WILLIAM W. WEITLING, NEW YORK
THUM, PATTY, Louisville, Ky.
328. PINK ROSES. 20 X l6. DONATED BY THE ARTIST
TOMLINSON, HENRY WALLING, Valley Cottage, New York
329. JUNE MOONLIGHT. 29 X 21. DONATED BY THE ARTIST
TOWNSEND, E. N., Yonkers, N. Y.
330. THE PLACID STREAM. IO X 8. DONATED BY THE ARTIST
TOWNSLEY, CHANNEL PICKERING, Pasadena, Calif.
331. CASTLE OF CHARLES VII IN PROVENCE. I9K X I$}4. DONATED BY THE
ARTIST
TRACY, GLEN, Cincinnati, Ohio
332. HARVEST TIME. 8x6
233- A DAY ON THE LAKE. I I X I4
DONATED BY THE ARTIST
TRASK (MRS.) G. G., Newburgh, New York
334. LANDSCAPE. I3KX IlK
335. SHORESCAPE. I3K X IIJ^
336. LANDSCAPE. 13)4 XII}4
337. SHORESCAPE. I3K X 11^
DONATED BY THE ARTIST
VAN SANTVOORD (MISS), A. T., New York
338. SUNRISE IN CEYLON. IIJ^X II. DONATED BY THE ARTIST
28
WILLIAM H. TAFT Ex-President of the United States
BY
William V. Schevill
29
VONNOH, ROBERT, N. A., New York
339. JUST BIRCHES. l8 X I4 DONATED BY THE ARTIST
WAITE, CHARLES W., Cincinnati, Ohio
340. DUCK CREEK. 12 X 14^
341. COUNTRY LIFE IN KENTUCKY. 15 X 12
DONATED BY THE ARTIST
V
WALES, ORLANDO G., Allentown, Pa.
342. STILL LIFE. I5.K X IC)K- DONATED BY THE ARTIST
WALKER, FERDINAND G., Louisville, Ky.
343. HOOSIER CORNFIELD. 21 X I4K- DONATED BY THE ARTIST
Mr. Ferdinand Graham Walker of Indiana and Kentucky is a notable portraitist and painter of murals in the Middle West.
WALKOWITZ, ABRAHAM, New York
344. DOCK SCENE. 9x7
345. PIAZZA. 12X9
DONATED BY THE ARTIST
WALLER, FRANK, Morristown, N. J.
346. TOMB OF SHEIK, EGYPT. IO>£ X 7K- DONATED BY THE ARTIST
WALTER, CHRISTIAN J., Avalon, Pa.
347. MOON-LIT SNOW. I9K X I5K. DONATED BY THE ARTIST
WARREN, J. W., New York
348. THE ASCENSION OF CHRIST. 35 X 36^- DONATED BY THE ARTIST
WATSON, CHARLES A., Baltimore, Md.
349. HAZY MORNING. ig^z X ^]4
350. EVENING. 15^ X 10
DONATED BY THE ARTIST
WEISS, MARY L., East Gloucester, Mass.
351. THE FOREST. 24 X 30. DONATED BY THE ARTIST
WHEELER, CLIFTON A., Indianapolis, Ind.
352. REVERIE. 23K X I7K- DONATED BY THE ARTIST
WHITEHURST, CORNELIA, Baltimore, Md.
353. CAROLINE. 3OX36. DONATED BY THE ARTIST
WHITING, JOHN D., New Haven, Conn.
354. AT THE ROOTS OF THE EMPIRE. 22x30
355. THE SPIRIT OF THE WEST. 1 5 X 1 8 - 356. A LESSON IN EFFICIENCY. 20 X 29
DONATED BY THE ARTIST
3D
WHITNEY, HELEN REED, Moylan, Pa.
357. AROUND THE WHARVES. 12X12
358. GRAY DAY. 12X12
DONATED BY THE ARTIST
WILLIAMS, CHARLES SNEED, Chicago, 111.
359. THE COAT OF MANY COLORS. 30 X 4O. DONATED BY THE ARTIST
WOODWARD, DEWING (MISS), Shady, N. Y.
360. MORNING SONG OF THE PINE. 12x30
361. DAWN. 2314 X 15
DONATED BY THE ARTIST
Miss Woodward has studied in Paris; in 1904 at Nantes, France, she took a gold medal.
WOODWARD, MABEL, Providence, R. I.
362. THE MOTHER. l6x20. DONATED BY MRS. ELIZA G. RADIK.E, PROVIDENCE,
R. I.
WLERPEL, EDWARD HENRY, Clayton, N. Y.
363. A SONG OF THE LEAVES. 1 8 X 20>£- DONATED BY THE ARTIST
WYANT, (MRS.), A. H., Jackson Corners, N. Y.
J
64. AN OLD PICTURESQUE HOUSE. l6x 12. DONATED BY- THE ARTIST
YOUNG, ROSE, Philadelphia, Pa.
V. 365. PROVINCETOWN LANE. 9J-2 X I4. DONATED BY THE ARTIST
31
Miniatures
COOLIDGE, BERTHA, Boston, Mass.
V366. PORTRAIT OF MRS. R. 3X4 367. PORTRAIT OF MARIE. 3X4
DONATED BY THE ARTIST
DEANE, LILLIAN R., Los Angeles, Cal.
363. THE MANDARIN'S WEDDING LAMBRAKIN. DONATED BY THE ARTIST
The little picture of a girl in Chinese gown has a special color quality owing to its being painted on ivory.
HERR, MARGARET, New York
369. SKETCH. DONATED BY THE ARTIST
KNOWLES, ELIZABETH A., New York
370. COMRADES. DONATED BY THE ARTIST
J/
LOWDEN, ELSIE N., Dallas, Tex.
1. PORTRAIT OF A YOUNG GIRL. DONATED BY THE ARTIST
MAY, MARGARET S., Paterson, N. J.
372. YOUNG GIRL. DONATED BY THE ARTIST
MITCHELL, LAURA M. D., Alhambra, Calif.
373. DUTCH PEASANT WOMAN. DONATED BY THE ARTIST
374-
SIMPSON, EDNA H., Saranac Lake, N. Y.
THE PARTY GOWN. DONATED BY THE ARTIST
TURLE, WALTER, Duluth, Minn.
375. AUBURN TONES.
376. SPRING.
DONATED BY THE ARTIST
WARING, LEILA, Wilmington, Del.
377. GEORGE WASHINGTON. DONATED BY THE ARTIST
WYATT, MARY L., Paris, France
378. ROCHAMBEAU, FROM THE CELEBRATED PAINTING BY I.ARIVIERE IN THE
PALACE OF VERSAILLES
379. LAFAYETTE, FROM THE CELEBRATED PAINTING BY COURT IN THE PALACE
OF VERSAILLES
DONATED BY THE ARTIST
32
|
B* ' *^fi w t^Ba |
|
|
1 Is « |
\\ OFFERING TO THE VIRGIN
Aloysius O'Kelly
33
Water Colors and Pastels
ADAMS, CHARLES P., Estes Park, Colo.
380. SIERRA BLANCA FROM THE LA JARA RIVER. WATER COLOR, I3K X 6j<-
DONATED BY THE ARTIST
BALFOUR, MRS. HELEN, Los Angeles, Calif".
381. THE CANYON. WATER COLOR, I5XI9. DONATED BY THE ARTIST
BEMUS, MARY B., Redondo Beach, Calif.
382. A GRAY DAY. WATER COLOR, II3-4'x8. DONATED BY THE ARTIST
BLUMENSCHEIN, ERNEST L., A.N.A., New York
383. water color. %% x g%. donated by the artist
BOERICKE, JOHANNA M., Philadelphia, Pa.
384. in the heart of the rockies. water color, 21^x14. donated by
THE ARTIST
BREYFOGLE-JOHN, WINSTANLEY, New York
385. CAN SHE MAKE A CHERRY PIE, BILLY BOY? PASTEL, 20X24- DONATED BY
THE ARTIST
BRIDGES, FIDELIA, Canaan, Conn.
386. ROADSIDE WEEDS IN NOVEMBER. WATER COLOR, 30^ X 20%. DONATED BY
THE ARTIST
BUCKLIN, W. S., Riverside, Conn.
387. AUTUMN WOODS. WATER COLOR, 17 X 25. DONATED BY THE ARTIST
BUDWORTH, WILLIAM S., Mt. Vernon, N. Y.
388. BROOK. IN BRONXVILLE. WATER COLOR, l2%yLC)%. DONATED BY THE
ARTIST
BURLEIGH, SYDNEY R., Providence, R. I.
389. FERRY IN BRITTANY. WATER COLOR, I4 X IO. DONATED BY THE ARTIST
BURGESS, IDA J., Woodstock, N. Y.
390. LA TARENTELLA. PASTEL, l£t%yi2l%. DONATED BY THE ARTIST
BUTTON, ALBERT PRENTICE, Boston, Mass.
391. A COLD LUNAR SICKLE. PASTEL, \2%~X.i%. DONATED BY THE ARTIST
CAMPBELL, JESSIE G., St. Paul, Minn.
392. WINTER ON OUR HILL. PASTEL, yA x 4- DONATED BY THE ARTIST
CASEAU, CHARLES H., New York
393. IN THE CONNECTICUT HILLS. WATER COLOR, 1$%X 11%. DONATED BY THE
ARTIST
CHRISTMAS, E. W., R.B.A., Honolulu, T. H.
394. HONOKAHOU COAST. WATER COLOR, 21 % X I4K
395. HANALU BAY COAST, HAWAII. WATER COLOR, 21% X I4K
DONATED BY THE ARTIST
34
CHURBUCK, L. M., Brockton, Mass.
396. MARINE, CAPE ANN. WATER COLOR, l8}4 X I2^i. DONATED BY THE
ARTIST
CLOUGH, JESSIE L., New York
397. TUESDAY AND THURSDAY MORNINGS IN LISIEUX. WATER COLOR, IO<4 X l4<4.
DONATED BY THE ARTIST
CLYMER, EDWIN S., Gloucester, Mass.
398. SOUTH EAST SWELL. PASTEL, IIJ^X^
399. SEPTEMBER GLOW. PASTEL, I I K X gH
400. AN AUTUMN DAY. PASTEL, II1? X IO
401. THROUGH THE RIVER ICE. PASTEL, glA X S<4
402. SUNLIGHT ON SNOW. PASTEL, I Z)/2 X IOJ4
403. THE MILL RACE. PASTEL, I I ]/2 X 9K
404. ON THE WAYS. PASTEL, I I ■< 4 X 9",
405. A GLOUCESTER DOCK. PASTEL, ll}4xg}4
406. BAITING TRAWLS. PASTEL, II-<4 X IO
407. A COLD WINTER DAY. PASTEL, IO^ X <jY2
DONATED BY THE ARTIST
COFFEE, WILLIAM J., Philadelphia, Pa.
^ 408. WOODLAND WITCHERY. PASTEL, I4 X 20. DONATED BY THE ARTIST
COFFIN, W. HASKILL, New York
409. A SCHOOL GIRL. PASTEL, IO>4 X lG]/2 l^ 410. AMONG THE WATER LILIES. PASTEL, 3OX34
DONATED BY THE OSBORNE COMPANY, NEWARK, N. J.
COLMAN, SAMUEL, N.A, New York
411. THE WINDMILL OF LONG ISLAND. PASTEL, I4X IO>2'. DONATED BY THE
ARTIST
COOPER, COLIN CAMPBELL, N.A., New York
412. LAKE AT GREAT BARRINGTON. WATER COLOR. 20 X 12. DONATED BY THE
ARTIST
COTHARIN, KATE L., Boston, Mass.
413. DAYS OF CLOUDLESS BEAUTY. PASTEL, I I ]/2 X 6}4. DONATED BY TH E ARTIST
COTTON, JOHN W., San Ysidro, Calif.
414. A BELGIAN FARM. WATER COLOR, I7KX iyA- DONATED BY THE ARTIST
COWLES, GENEVIEVE A., New York
415. MOUNT HERMAN. WATER COLOR, 35K X I9K. DONATED BY THE ARTIST
CASSIERS, HENRI
416. WATER COLOR SCENE. I2'4 X lyA- DONATED BY THOMAS W. DUNBAR,
MILWAUKEE, WIS.
D'ASCENZO, NICOLA, Philadelphia, Pa.
417. STUDY OF A HEAD. PASTEL, II34X lj}i. DONATED BY THE ARTIST
DALGHERTY, JAMES, New York
418. DECORATIVE PANEL. WATER COLOR, 18x38. DONATED BY THE ARTIST
DOHERTY, LILLIAN COOK, Washington, D. C.
419. A VIRGINIA GARDEN. WATER COLOR, IOX Ii;2'. DONATED BY THE ARTIST
35
I-
DONALDSON, A. W., New York
420. BLOSSOMS. WATER COLOR AND PASTEL, II X 9K. DONATED BY THE ARTIST
421
422
-P3 4-4 425
DONLEVY, ALICE, New York
IN AMERICA. WATER COLOR
IN OUR UNITED STATES. WATER COLOR
NEW JERSEY. WATER COLOR
IN THE NORTH. WATER COLOR
PENNSYLVANIA. WATER COLOR
DONATED BY THE ARTIST
DOW, LELIA A., Madison, Wis.
426. A BIT OF SHORE ON MENDOTA. WATER COLOR, l6 X II. DONATED BY THE
ARTIST
DREIER, DOROTHEA, Riverdale, N. Y.
427. MT. LAFAYETTE LOOKING INTO GRANPED NOTCH FROM SUGAR HILL, WHITE
MOUNTAIN, X. H. WATER COLOR, 20Ji X 1J}4. DONATED BY THE ARTIST
DRAKE, W. H., A.N.A. Los Angeles, Calif.
428. SHEPHERD DOG AND SHEEP. WATER COLOR, I4K X IO. DONATED BY THE
ARTIST
DREYFOUS, FLORENCE, New York
429. ALICE. WATER COLOR, I I X I4
430. A SKETCH OF A BOY. WATER COLOR, II X I4
DONATED BY THE ARTIST
DUSHINSKY, J., New York
431. WINTER MORNING. PASTEL, I3X X \6%
432. THE CLIFF. PASTEL, 9^ X 1 1%
DONATED BY THE ARTIST
DWIGHT, JULIA S. L., Brookline, Mass.
433. GIRL IN GREEN. PASTEL, 8 X IO
434. OPHELIA ROSES. PASTEL, 12 X l6}4
DONATED BY THE ARTIST
EISENLOHR, EDWARD G., Dallas, Texas
43;. A DAY IX WINTER. PASTEL, I $ X I3. DONATED BY THE ARTlST
FANCHER, LOUIS, New York
436. PERFECT FAITH. WATER COLOR, l6^ X 24^. DONATED BY THE ARTIST
FAULKNER, EUNICE F., New York
437. MONHEGAX. WATER COLOR, 1 5 X 20^. DONATED BY THE ARTIST
FIELD, LOUISE B., Fairhaven, Mass.
438. JOHN BOYLE O'REILLY'S HOUSE, HULL, MASS. WATER COLOR, 20K X I4K
DONATED BY THE ARTIST
FRENCH, ALICE H., Williamstown, Mass.
439. THE DEEP SNOWS OF MARCH, WILLIAMSTOWN. PASTEL, iy/i X l~lA. DO-
NATED BY THE ARTIST
CAROLINE
BY
Cornelia Whitehirst
37
FRY, LAURA, Lafayette, Ind.
440. WHITE CHRYSANTHEMUMS. PASTEL, 30 X 40
441. CHRYSANTHEMUMS IN FADING LIGHT. PASTEL, 40 X 28
44L SNOWBALLS A DOMINANT BLUE LIGHT. PASTEL, l^yi X I9K
443. SNOW SCENE MORNING. PASTEL, 9 Xl8K
444. SNOW SCENE EVENING. PASTEL, 8^ X 21 ]/2
DONATED BY THE ARTIST
GARDINER, ELIZA D., Providence, R. I.
445. THE NEW PET. WATER COLOR, 4K X 6I/4\ DONATED BY THE ARTIST
GIRARDOT, HENRI, Grenoble, France
446. LES OMBRAGES (SHADOWS). WATER COLOR, 8K X II. DONATED BY THE
ARTIST
GOODWIN, GILBERTA DANIELS, Weehawken, N. J.
447. AUTUMN LANDSCAPE. WATER COLOR. 12 X %l/i
448. SUMMER LANDSCAPE. WATER COLOR. 12 X %yi
DONATED BY THE ARTIST
GOODWIN, HELEN M., Long Beach, Calif.
449. LUXEMBOURG GARDEN, PARIS. WATER COLOR, I3X X <)l/i. DONATED BY THE
ARTIST
GREGSON, MARIE B., New York
450. FEEDING PUSSY. WATER COLOR, 6x8. DONATED BY THE ARTIST
GROENWEGEN, A. J.
451. MORNING IN THE HOLLAND MEADOWS. WATER COLOR, 20 X I3>2. DONATED
BY THE ELSON ART PUBLISHING COMPANY, BELMONT, MASS.
VAN TRUMP, MISS
452. CHRYSANTHEMUMS. WATER COLOR, 29^ X 22. DONATED BY-MRS. WILLIAM
T. HARRIS, VILLA NOVA, PA.
HADLEY, MARY HAMILTON, New Haven, Conn.
453. EEL RIVER, PLYMOUTH. WATER COLOR, Cj)4 X 13. DONATED BY THE ARTIST
HALL, KLEBER, West Somerville, Mass.
454. AT THE WATER'S EDGE. PASTEL, IO X 6}4. DONATED BY THE ARTIST
HANSON, MAUDE, Woodstock, N. Y.
455. WINTER SUNLIGHT. WATER COLOR, I5KX 13. DONATED BY THE ARTIST
HARTING, G. W., New York
456. COUNTRY NEIGHBORS. WATER COLOR, IO X 12. DONATED BY THE ARTIST
HARTMAN, SYDNEY K., New York
457. ARCTIC GRIP IN MANHATTAN. WATER COLOR, lS}4 X I3. DONATED BY THE
ARTIST
HAZEN, MISS WILHELMINA, Eureka, Calif.
458. OLD HOUSES IN ROUEN, FRANCE. PASTEL, 7 X II
459. THE BLOSSOMING MARSH, SAMOA, CALIFORNIA. PASTEL, IIXX7J-4
DONATED BY THE ARTIST
HAZEN, BESSIE ELLA, Los Angeles, Calif.
460. QUIET EVENING. WATER COLOR, 6x5
461. THE LEAP. WATER COLOR, 7J< X J%
462. OCEAN BEACH. WATER COLOR, 10x6
DONATED BY THE ARTIST
HKII., CHARLES E., Jamaica Plain, Mass.
463. JUNCO AND TREE SPARROW. WATER COLOR, IOK X 7. DONATED BY THE
ARTIST
HELLER, EUGENIE M., New York
464. OCTOBER SUNSET. WATER COLOR, I7K X 24. DONATED BY THE ARTIST
HENNEGUY, (MADEMOISELLE) L., New York
465. COPY OF LADY ELLENBOROUGh's PORTRAIT BY LAWRENCE. PASTEL, lj}4 X
23. DONATED BY THE ARTIST
HIGGINS, EUGENE, New York
466. BARTERING. PASTEL, Iffi X IO. DONATED BY FERDINAND HOWALD, NEW
YORK.
HOLLOWAY, (MRS.) G. C, Cincinnati, O.
467. OLD APPLE TREES IN NEW ENGLAND. WATER COLOR, I7J2 X I4. DONATED
BY THE ARTIST
HOPKINSON, CHARLES SIDNEY, Boston, Mass.
468. BLUE SEA AND BROWN WEED. WATER COLOR, iyA X 9K
469. MANICOLORED ROCKS AND SEA. WATER COLOR, ljyZxgyi
470. A QUIET BAY, SUNSET. WATER COLOR, 13^X9^
471. SHORESCAPE, NEW ENGLAND COAST. WATER COLOR, I3KX9K
HOWELL, FELICIE WALDO, New York
472. LITTLE SHOPS, EDGARTOWN, MARTHA'S VINEYARD. WATER COLOR, 25 X l8j<.
DONATED BY THE ARTIST
HUTSON, CHARLES WOOpWARD, New Orleans, La.
4~V A LOUISIANA BAYOU. PASTEL, ll}4 X 9. DONATED BY THE ARTIST
JACKSON, MISS LESLEY, Washington, D. C.
4~4. OCTOBER. WATER COLOR, I4XXII
47C. A FOREIGN BALCONY IX NEW ENGLAND. WATER COLOR, l^/i X IO.K
DONATED BY THE ARTIST
JACOBY, HELEN E., Indianapolis, Ind.
476. A HINDO CHARM. WATER COLOR, 6 X 9^- DONATED BY THE ARTIST
KING, FRANK, Minneapolis, Minn.
4--. THE FOOT BRIDGE OVER MINNEHAHA FALLS. WATER COLOR, l6'4 X II'4
478. ABOVE MINNEHAHA FALLS. WATER COLOR, l^j4xSj4
DONATED BY THE ARTIST
KLINE, GEORGE T., Columbia, Mo.
479. SUNSHINE ON THE RIVER. WATER COLOR, § X ~. DONATED BY THE ARTIST
KNIGHT, L. ASTON
480. THE OLD FOOT BRIDGE. WATER COLOR, 31x2?. DONATED BY MR. E. T.
WEBB, WEBB CITY, MO.
Mr. Knight is the son of Daniel Ridgway Knight who has passed most of his life in Paris. He has all medals given by the Paris Salon including the gold one.
39
KOLDE, WILLIAM F., Cincinnati, Ohio
481. A BROOK IN THE WOODS. WATER COLOR, II X I"}!. DONATED BY THE
ARTIST
LEAVITT, AGNES, San Jose, Calif.
482. THE QUEEN OF THE WHITE CITY. WATER COLOR, 48 X 21
The Palace of the Fine Arts at the World's Fair, Chicago, as it appeared at the height of the Exposition in 1893 reflecting its fair proportions in the lake.
483. GOOSE COVE FROM THE BRIDGE. WATER COLOR, K)Y2 y. \y/i
484. THE ATLANTIC FROM THE HEIGHTS. WATER COLOR, \<)l/2 ~X. \y/i
DONATED BY THE ARTIST
LEONARD, GEORGE H., Paris, France
485. AUTUMN PASTORAL. PASTEL, 8x6. DONATED BY THE ARTIST
LINCOLN, MISS AGNES H., Milwaukee, Wis.
486. FLOWERS. PASTEL, liyi X 1%y2. DONATED BY THE ARTIST
LURIA, CORINNA M., New Orleans, La.
487. A CASTLE IN THE AIR. WATER COLOR, I/X I4. DONATED BY THE ARTIST
MacFARLAN, CHRISTINA, Ardmore, Pa.
488. SUNSET ON THE LAKE. WATER COLOR, 21 X I4. DONATED BY THE ARTIST
MAGONIGLE, EDITH M., New York
489. ADIOS. WATER COLOR, 15x25. DONATED BY THE ARTIST
MANSFIELD, LOUISE B., New York
490. HOME AGAIN. WATER COLOR, I7>^X2lK- DONATED BY THE ARTIST
MAYNARD, GEORGE W., N.A., New York
491. WATER WITCH. PASTEL, l6KXI9K- DONATED BY THE ARTIST
MENTE, CHARLES, Congers, N. Y.
492. THE ROAD TO THE LAKE. WATER COLOR, I/XIOJ2. DONATED BY THE
ARTIST
MORSE, EDWARD L., Stockbridge, Mass.
493. NOVEMBER IN THE BERKSHIRES. WATER COLOR, 9r'4XI234. DONATED BY
THE ARTIST
McCAIG, FLORA T., Chicago, 111.
494. SUNSET. PASTEL, I4K X \Q%
495. AUTUMN ON THE DUNES. PASTEL, l6x \iyi
DONATED BY THE ARTIST
McCOMAS, FRANCIS, Monterey, Calif.
496. THE EDGE OF THE MONTE. WATER COLOR, 30X21^- DONATED BY THE
ARTIST
McKINSTRY, GRACE E., Los Angeles, Calif.
497. A MOTHER OF FRANCE. WATER COLOR, IO>< X I4. DONATED BY THE ARTIST
NEEDHAM, CHARLES AUSTIN, New York
498. GOLD DRIFT. WATER COLOR, IOX 12
499. PARK SNOWS. WATER COLOR, 2oK X 14^
DONATED BY THE ARTIST 40
WATERWITCH
BY
George W. Maynard
41
OF, GEORGE F., New York
500. CHERRY BLOSSOMS. PASTEL, 1~J}4 X 12)4. DONATED BY THE ARTIST
OLCOTT, HARRIET, M. New York
501. THE WORKER. WATER COLOR, IOJ^XII. DONATED BY THE ARTIST
OWEN, ESTHER S. D., Hartford, Conn.
502. THE OLD HOMESTEAD. PASTEL, l6>< X I2J<. DONATED BY THE ARTIST
PRATELLA, A., Naples, Italy
503. ON THE STRAND, ITALY. WATER COLOR, I3KXII. DONATED BY MRS. A.
OBRIG, NEW YORK
PALMER, WALTER L., N.A., Albany, N. Y.
^04. WINTER MOONRISE. WATER COLOR, 20 X 24. DONATED BY THE ARTIST
PARKER, E. A.
505. BY THE RIVER. WATER COLOR, 9^ X 6. DONATED BY MRS. ELIZA G. RADIKE,
PROVIDENCE, R. I.
PARMELEE, GERTRUDE, Warren, R. I.
506. THE BACK ROAD TO BRISTOL. WATER COLOR, gH X 13. DONATED BY THE
ARTIST
PEPPER, CHARLES H., Boston, Mass.
^07. LILAC. WATER COLOR, 9X11^- DONATED BY THE ARTIST
PEYRAUD, ELIZABETH K., Chicago, 111.
508. A MEXICAN. WATER COLOR, IO X I4. DONATED BY THE ARTIST
PLEADWELL, AMY M., Boston, Mass.
509. LILACS IN NAHANT. WATER COLOR, 1 8 X 1 5. DONATED BY THE ARTIST
POND, GEORGE D., Leonia, N. J.
510. THE SNOWY STEPS IN FRANCE. WATER COLOR, IIJ^X I4. DONATED BY
THE ARTIST
RAJON, PAUL
511. STUDY OF A HEAD. PASTEL, l6xi8K- DONATED BY ARTHUR K. KUHN,
NEW YORK
The eminence of M. Rajon in black and white is known wherever drawings and etch- ings are cherished. This is a rare pastel.
RAKEMANN, CARL, Washington, D. C.
(;I2. THE TOILERS. WATER COLOR, li>Y2 X I7K. DONATED BY THE ARTIST
READ, E. J., Rutherford, N. J.
513. AUTUMN WOODS. WATER COLOR, 1 9 3.4 X 1^%. DONATED BY THE ARTIST
RICE, HENRY W., Boston, Mass.
514. HOMLEA. WATER COLOR, I9X 13)2. DONATED BY THE ARTIST
SARKA, CHARLES N, Green Lake, N. Y.
515. MOSQUE DOORWAY. WATER COLOR, 9 X 1 23^
516. MOORISH TRIBESMEN COMING HOME FROM MARKET. WATER COLOR, I4 X 9^
DONATED BY THE ARTIST
42
SCHWAB, EDITH F., New Haven, Conn.
<;i7. REFLECTIONS EVENING. PASTEL, 22 X 1J. DONATED BY THE ARTIST
SELLERS, MARY, Pittsburgh, Pa.
518. THE MARIGOLD POT. WATER COLOR, 2I>^X27>^. DONATED BY THE ARTIST
SHEAFER, FRANK W., Philadelphia, Pa.
519. MOONRISE. WATER COLOR, 19^x13^4- DONATED BY THE ARTIST
SMITH, HOLMES, St. Louis, Mo.
520. AMONG THE DAISIES. WATER COLOR, I3J4 X 9. DONATED BY THE ARTIST
SNYDER, ANNA F., Rochester, N.\Y.
521. AN OLD APPLE ORCHARD. WATER COLOR, 20J< X l6X- DONATED BY THE
ARTIST
SPAFARD, MYRA B., Denver, Colo.
522. FROM MY STUDIO WINDOW. WATER COLOR, 8K X 26. DONATED BY THE
ARTIST
SPALDING, ELIZABETH, Denver, Colo.
523. CLEAR CREEK VALLEY AND PLAINS. WATER COLOR, lg'/2 X \^A
524. CLEAR CREEK VALLEY AND SONGS PEAK. WATER COLOR, 19.!., X I J ' i
DONATED BY THE ARTIST
SPRINCHORN, CARL, New York
525. LADY IN PINK. WATER COLOR, 8 X 9^
526. A SPANISH DANCER. WATER COLOR, 10 X l6
DONATED BY THE ARTIST
STEPHENS, MRS. CHAS. H„ Moylan, Pa.
527. AWAITING PERMISSION TO ENTER. PASTEL, 1 7 X 22. DONATED BY THE
ARTIST
STONE, CORNELIA PERRIN, Newburyport, Mass.
528. A CAPE COD INLET. WATER COLOR, 20 X 11) i. DONATED BY THE ARTIST
STONER, HARRY, New York
529. FANTASY. WATER COLOR, I4 X I4. DONATED BY THE ARTIST
TREGO, EDWARD COMLY (Deceased)
530. A MARINE. WATER COLOR, IIXl8K- DONATED IN THE ARIIsl's MEMORY
BY HIS MOTHER, MRS. E. A. TREGO, BRYN ATHYN, PA.
TAIT, AGNES, New York
531. LADY FROM FAIRY TALE. WATER COLOR. DONATED BY THE ARTIST
TAPLEY, J. J. WOODBURY, Belfast, Me.
532. THE BEACH. WATER COLOR, II X I4. DONATED BY THE ARTIST
TEWKSBURY, FANNY W., Newton, Mass.
^2,- POPPY GARDEN. WATER COLOR, \\}'2 X \\}i. DONATED BY THE ARTIST
Tl'THILL, MARY, New York
534. RAVELLO. PASTEL, 4<4 X ~j
535. IMMIGRANTS. PASTEL, 4K X 6
536. STREET IN BRUGES. PASTEL, 4'4 X b)4
DONATED BY THE ARTIST
43
VALENTINE, A. R., San Diego, Calif.
<;37- SNOWBALLS. WATER COLOR, 1 8 X l6}4. DONATED BY THE ARTIST
WADSWORTH, ADELAIDE E., Boston, Mass.
538. SAND DUNES AT BARNEY'S JOY. PASTEL, 3^ X 11)4. DONATED BY THE ARTIST
WEBER, MAX, New York
^39. STILL LIFE. WATER COLOR, IO>£ X 8K- DONATED BY THE ARTIST
WERNTZ, CARL N., Chicago, 111.
540. HARBOR SURF, HAVANA. WATER COLOR, gj4 X 6j4- DONATED BY THE
ARTIST
WHITTEMORE, GRACE C, East Orange, N. J.
541. JONQUILS. WATER COLOR, g]/2 X I4K. DONATED BY THE ARTIST
WILLARD, THEODORA, Cambridge, Mass.
542. COMING INTO PORT. WATER COLOR, IO X I4. DONATED BY THE ARTIST
WILLIAMS, ADELE, Richmond, Va.
543. THE EARLY AUTUMN. WATER COLOR. DONATED BY THE ARTIST
WILLIAMS, MISS KATE A., New York
^44. THE FOOT-PATH. WATER COLOR, 14x10^. DONATED BY THE ARTIST
WOLCOTT, MISS KATHERINE, Chicago, 111.
545. A BIT OF BELGIUM. PASTEL, 9 X I4. DONATED BY THE ARTIST
44
PEREZ THE POET
BY
Maurice Fromkes
45
Black and White, Prints and Photographs
AYER, MARY L., North Conway, N. H.
546. ELLEN. DRAWING, l8>jX26. DONATED BY THE ARTIST
BARTLETT, TRUMAN H., Boston, Mass.
547. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, ^H X 9K ,48. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, ^/i X ()}4
549. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, 4Ji X 9X
550. THE WOUNDED DRUMMER BOY. PHOTOGRAPH, 4^ X 9
DONATED BY THE ARTIST
BLUMENSCHEIN, MARY GREENE, A. N. A., New York
551. ORIGINAL DRAWING IN CHARCOAL THAT APPEARED IN COLLIER'S HEAD OF
GIRL. 11 X JO. DONATED BY THE ARTIST
BOUGUEREAU, GUILLAUME
552. SKETCH, IO X 13. DONATED BY HENRY C. LYTTON, CHICAGO, ILL.
BROWN, ETHEL PENNEWILL, Wilmington, Del.
^53. THE RUINS CHATEAU HENRI IV. ETCHING, 5 X 6^
554. RUINS OF ST. FRAMBOURG. ETCHING, 5 X 6j<
555. EARLY MORNING, SENLIS, TOWER OF ST. PIERRE, I9I3. ETCHING, 5x7
556. GRISETTE, THE LITTLE DONKEY THAT BROUGHT VEGETABLES IN FROM THE
GARDEN EACH DAY TO THE CONVENT. ETCHING, 3 X 1}4
557. MADAME COSSIN AND MADAME TALPOMBA. ETCHING, 5x7 558- LA PORTE POTERNE. ETCHING, 5x7
559. ANCIENT FRENCH GARDEN. ETCHING, 'J l/i X %7/s
DONATED BY THE ARTIST
CALEWAERT, LOUIS H. S., Chicago, 111.
560. JACKSON PARK. ETCHING, g}i X $*/&
561. ON THE DETROIT RIVER. ETCHING, 6j< X $}i
562. A BELGIAN. ETCHING, 5x7
563. GRANDMOTHER SLEEPING. ETCHING, 6 X 8j<
DONATED BY THE ARTIST
CAMPBELL, JESSIE G., St. Paul, Minn.
564. THE OLD TREE IN MOTHERS GARDEN. MONOTYPE, 8 X $}4. DONATED BY
THE ARTIST.
CHANDLER, GEORGE WALTER, New York
565. VIA RICCABONO, SAN REMO. ETCHING, 7 X 1 1
566. IMPASSE DU LION, ALGIERS. ETCHING, 6}4 X 1 1
567. FARMYARD IN AURRIGON. ETCHING, 8 X 1 1}4
568. VIA MONTE, SAN REMO. ETCHING, J}4 X 1 1 }i
569. BABEL TUNIS, KASROWAN. ETCHING, 8 X 1 1 J< 570- SOUVE EL DJEMMA. ETCHING, 1 1 >£ X 8
571. RUE KLEBER, ALGIERS. ETCHING, 7 X IOJ<
572. WESTMINSTER ABBEY. ETCHING, IOJ^ X l6
573. PONTE VECCHIO, FLORENCE. ETCHING, 9 X 1 2K
DONATED BY THE ARTIST A pupil of Laurens at the Julian School' and a native of Wisconsin. Etchings of Mr. Chandler are in most of the great public collections.
46
COX, KENYON, N. A., New York
574. FRANCE. DRAWING, l^J/i X lqj4. DONATED BY THE ARTIST
Study for Figure of France in the Marriage of the Atlantic and Pacific. Decoration in Senate Chamber of Wisconsin State Capitol, Madison, \\ isconsin. Mr. Cox is celebrated for the beauty of his initial work when he begins a mural painting. The next stage would be to put the drapery on '"France."
CURTIS, W. F., Ashfield, Mass.
575. STUDY IN CRAYON. 12 X I4. DONATED BY THE ARTIST
DAUGHERTY, JAMES, New York
576. UNDER THE BRIDGE. ETCHING, 21 X 25. DONATED BY THE ARTIST
577. PHOTOGRAPH. HELEN FOURMENT IN THE PAINTING BY RUBENS. S X 1 7 T j .
DONATED BY MESSRS. DOLL AND RICHARDS, BOSTON, MASS.
DODGE, OZIAS, Center Harbor, N. H.
Having studied at the Ecole des Beaux Arts under Gerome this artist is a painter as well as an etcher. His prints are in all the principal collections.
578. THE HILLTOP. ETCHING, 6^4 X 5
579. OCTOBER. ETCHING, 5 X 5K
580. EVENING ON THE DUNES. ETCHING, 6;'4 X 4
581. IMP. ETCHING, 4K X ^H
582. WEEPING WILLOW. ETCHING, JXj1,
583. BATHER GIRL. ETCHING, 5 X 4K
DONATED BY THE ARTIST
DRYDEN, HELEN, New York
584. COSTUME DESIGN. DRAWING, II X I 4 ' 4 58^. COSTUME DESIGN. DRAWING, I I X I4J<
DONATED BY THE ARTIST
ELLIS, EDMUND L., New York
586. THE CHAPEL OF THE INTERCESSION. ETCHING, 22 X l6,!-£. DONATED BY THE
ARTIST
Mr. Fllis is an architect who is also a painter and an etcher.
EVANS, JOHN W., New York
587. DOWN BY THE DANK TARN OF AUBER. I4 X Ig
588. THOMAS A. EDISON USING FIRST PHONOGRAPH. \ y/2 X 1 8^
DONATED BY THE ARTIST Mr. Evans is that rare person nowadays, an engraver on wood.
FLAGG, J. MONTGOMERY, New Ymk
589. PLEADING HIS CAUSE. ILLUSTRATION, 1~] }4 X I9K
590. A HEROINE UNDER FIRE. ILLUSTRATION, Tjyi X I9K
591. A DARK. MOMENT. ILLUSTRATION. 23 X \%]4
DONATED BY THE ARTIST Mr. Flagg's cartoons are famous all over the world.
FROST, A. B., Madison, N. J.
1592. STARTING OUT. DRAWING, I I Yi X I4K
593. A CIVIL WAR RELIC. DRAWING, Il'j X I4K
594. GOL DERN THEM PESKY CROWS. DRAWING, II1, X 1 4 ' _
595. EVIL DAYS. DRAWING, IIJ^X l4'j
596. GOOD-BYE. DRAWING, IlKX I4K
597. GRINDING THE AXE. DRAWING, Il'j X 1 4 ' _>
DONATED BY THE ARTIST Not as a humorist but as a remarkable painter of field sports is Mr. Frost best known. He has spent years abroad, and at an advanced age works with the vigor of youth.
47
GUNN, ARCHIE, New York
598. COQUETTE. CARTOON, 17 X 22
599. BIRDS OF A FEATHER. CARTOON, 20 X 29K
600. MY TEDDY BEAR. CARTOON, \~j X 24
601. SPRING SONG. CARTOON, \1}/2 X l8
DONATED BY THE ARTIST
GREENLEAF, RICHARD C, Lawrence, L. I.
602. LA RUE BRISE-MICHE. DRAWING, $% X IOif
603. A STREET IN THE OLD TOWN, CANNES, FRANCE. DRAWING, 4 X IO
DONATED BY THE ARTIST
GREER, BLANCHE, Overbrook, Pa.
604. CONNECTICUT AVENUE BRIDGE. ETCHING, 8K X I2J/4'. DONATED BY THE
ARTIST
60 q 606 607 608 609 6lO 6ll 6l2
613 6I4
615
6l6 617
6l8 619 620 621 622 623 624
HARDING, NELSON, New York
THE IDEAL SANTA CLAUS ! CARTOON
CAN THE TAIL WAG THE DOG. CARTOON
BYNG ! CARTOON
THE BEAR'S HUG. CARTOON
BUT IT READS WELL FROM A DISTANCE. CARTOON
A SIGN OF THE TIMES. CARTOON
NO MAN'S LAND. CARTOON
THE NEW YEAR. CARTOON
READY FOR THE KAISER's PEACE OFFER. CARTOON
THERE'S ALWAYS ROOM AT THE TOP. CARTOON
ALL FACES LOOK ALIKE TO US. CARTOON
THE BIRD THAT FLEW THE COOP AND FOILED THE KAISER. CARTOON
THE INADEQUATE SHOVEL. CARTOON
DONATED BY THE ARTIST Mr. Harding is the well-known cartoonist of the Brooklyn Eagle.
HAZEN, BESSIE ELLA, Los Angeles, Cal.
EUCALYPTUS. ETCHING, 6 X 8^<
CYPRESS AT POINT LOBOS, CALIF. WOOD BLOCK PRINT, 6x9
WINDBLOWN. BLACK AND WrHITE. 5 X IO
"WINDBLOWN. BLACK AND WHITE. 7 X IO
MONOTYPE. 6x8
WOOD BLOCK PRINT
WOOD BLOCK PRINT
DONATED BY THE ARTIST
HOWELLS, JOHN MEAD, New York
625. OLD CITY' GATES. ETCHING
626. PORTCULLIS. ETCHING
DONATED BY THE ARTIST
HOWITT, JOHN NEWTON, New York
627. THE JITNEY LADY. CARTOON, 27^4 X I9K
628. DRAWING THAT APPEARED IN "THE LADIES HOME JOURNAL." Jl, X iG
DONATED BY THE ARTIST 4S
KATWYK GIRL
BY
Amy Cross
49
HURRY, LUCY W., Hempstead, L. I.
629. THE DANCER. COLORED PRINT. l^H X lg%
630. STRANDED. BLACK. AND WHITE. IO X I $%
DONATED BY THE ARTIST
63' 632
(>33 634
£>35 636
JAQUES, BERTHA E., Chicago, 111.
THE TANGLE, CHIOGGIA. ETCHING PARADISE BRIDGE. ETCHING . PEAT BOAT AT MARK.EN. ETCHING BACK OF ROMAN HOUSE. ETCHING THAMES BOATS. ETCHING THAMES SHIPPING. ETCHING
DONATED BY THE ARTIST
JOHNSON, HERBERT, Philadelphia, Pa.
637. SOMEWHERE IN FRANCE. CARTOON, I3K X 21
638. JOFFRE : HE IS THE ANTITHESIS OF THE EFFIGY. CARTOON, 1\x/2 X I $%
DONATED BY THE ARTIST
JUNG, A. JAC, West Hoboken, N. J.
639. THE PINE WOODS. ETCHING, $}4 X &/,
640. WILLOWS IN WINTER. ETCHING, J% X %%
641. ELMS IN SPRING. ETCHING, JJ4 X 8j<
642. AUTUMN WOODS. ETCHING, J% X 8%
643. THE PLACID STREAM. ETCHING, 8j< X J %
DONATED BY THE ARTIST
KIMBALL, KATHERINE, London, England
644. PRESBYTERE DE ST. MACLOU A ROUEN. ETCHING, ~J X 9K
645. CHATEAU GAILLARD, PETIT ANDALYS, FRANCE. ETCHING, 9 X II
DONATED BY THE ARTIST
KING, W. B., New York
646. ILLUSTRATION. DRAWING, 28 X 38. DONATED BY THE ARTIST
KIRBY, ROLLIN, New York
647. A SICK MAN OF THE NORTH. CARTOON, iy/z X I5K
648. STANDING BY THE KAISER. CARTOON, I4K X lg}4
DONATED BY THE ARTIST Mr. Kirby is the well-known cartoonist of the New York World.
LAWRENCE, CHARLES ARTHUR, Lynn, Mass.
649. OLD TIDE MILL, COHASSETT. DRAWING, 11% X IO
650. THE SUNNY BACK YARD. DRAWING, I33-4 X IO
651. FISHERMEN'S RACE, MARBLEHEAD, "MISSED STAYS." DRAWING, I9J+ X 14^
DONATED BY THE ARTIST
LEVY, BEATRICE S., Chicago, 111.
652. RAINY NIGHT. COLORED ETCHING, 7J< X 13^. DONATED BY THE ARTIST
LEVY, WILLIAM A., Gloucester, Mass.
653. STUDY OF A HEAD. BLACK AND WHITE, 5K X 8
654. STUDY OF A HEAD. BLACK AND WHITE, IO X -] }i
DONATED BY' THE ARTIST
5°
%<*«**
RETRIEVING, by Edward H. Potthast
-r^v^'at'Tf
^
y "
THE FOOTBRIDGE, by Astor Knight 51
LYND, J. NORMAN, New York
655. PLATTSBURG. CARTOON. DONATED BY THE ARTIST
Mr. Lynd is the well-known cartoonist of the New York Herald.
MAXWELL, VIOLET
656. WARNING TO EVIL DOERS. COLORED DRAWING, I4 X 20
MORRISON, LOUISE GERTRUDE, Bryn Mawr, Pa.
657. PORTRAIT OF A LADY. ETCHING, 4^ X Gj4
658. THE FOUNTAIN, ARC DE L'OBSERVATION. ETCHING, 3 % X 4K
DONATED BY THE ARTIST
OAKLEY, THORNTON, Philadelphia, Pa.
659. THE CONSCRIPT MOTHER. DRAWING, 16XX2334. DONATED BY THE
ARTIST
OPPER, F., New Rochelle, N. Y.
660. A LECTURE. CARTOON, 13 X 8
661. WAR. CARTOON, 15 X 21 y2
DONATED BY THE ARTIST For the past four decades the humor of Mr. Opperof the New York American has given delight to thousands — he is the Dean of funny newspaper artists.
PAULUS, FRANCIS P., Detroit, Mich.
662. OLD BRIDGES. COLORED ENGRAVING, I I?/,' X 934
663. SUNSHINE AND SHADOW. COLORED ENGRAVING, I1l/i X IO
664. THE COPPERSMITHS. ETCHING, ~j X 8j'4'
665. THE EEL WOMEN. COLORED ENGRAVING
666. BELFRY OF BRUGES. COLORED ENGRAVING, *]% X 11}4
667. QUAI OF THE MINNESINGER. COLORED ENGRAVING, 9^ X 12^
DONATED BY THE ARTIST
PEARSON, RALPH M., Milton, N. Y.
668. TOILERS OF THE CITY. ETCHING, 13x6
669. ELVERHOJ COLONY. ETCHING, 1034 X l^H
DONATED BY THE ARTIST
PLATT, MISS ALETHEA H., New York
670. RURAL FRANCE. ETCHING, 6K X 5. DONATED BY THE ARTIST
REICH, JACQUES, New York
671. PORTRAIT OF WASHINGTON. ETCHING
672. PORTRAIT OF LINCOLN. ETCHING
DONATED BY THE ARTIST
REINDEL, WILHELM G., Euclid, O.
673. ANDANTE CON EXPRESSIONE. ETCHING, gli X 5
674. THE OAKS. ETCHING, 7J4 X 5
675. RUSTIC HOME. ETCHING, 7x5
676. MID WINTER. ETCHING, 5x4
DONATED BY THE ARTIST
ROSEN, DAVID
677. PORTRAIT OF LINCOLN. ETCHING, I4X 17. DONATED BY ARTHUR H. HAHLO
& CO., NEW YORK.
52
OLD HOUSES AT BRUGES
BY
Sarah Noble Ives
53
ROSENFIELD, LESTER, Paris, France
678. OLD BARRACKS. ETCHING, IO X ~/ %
679. THE BACK YARD. ETCHING, 5x4
680. THE LAST SUPPER. ETCHING, 7J4, X ffi
DONATED BY THE ARTIST
RUSH, OLIVE, New York
681. THE LOAN OF A HEARTH. BLACK AND WHITE, I4K X Igj4. DONATED BY THE
ARTIST
SCHIFFER, ETHEL BENNET, New Haven, Conn.
682. THE BIRD CAGE. COLORED ETCHING. DONATED BY THE ARTIST
SHOPE, HENRY B., New York
683. BLACKWELL'S ISLAND BRIDGE. ETCHING, J X 4^
684. CATHEDRAL. ETCHING, 4X7
685. ERIE BASIN, NEW YORK. ETCHING, 43., X J
686. THE GRANITE STATE. ETCHING, 7 X 4
687. THE HILLS OF MICHRE NICOLAS. ETCHING, 7 X 4^
688. STREET IN FRANCE. ETCHING, 4K X 6K
DONATED BY THE ARTIST
SHAVER, J. R.
689. THE OLD, OLD STORY. COLORED DRAWING, II^X HX
STAHR, PAUL
690. EASTWARD HO ! COLORED DRAWING, 20 X 2^.%
691. OVER THERE. COLORED DRAWING, 23 X 28.K
DONATED BY MR. JOHN AMES MITCHELL, NEW YORK, EDITOR OF Life
STURGIS, D. C, Melrose, Mass.
692. RETURNING FROM MARKET. ETCHING, 8}4 X 11%
693. RAG PICKER. ETCHING, 8 X I 1 1/i
694. A CUP OF TEA. ETCHING, 9 X 8j<
695. A NEW ENGLAND FARM. ETCHING, 8 ]4 X IO>£
696. VIOLINIST. ETCHING, 6% X 8^4
697. VENDOR OF GREENS. ETCHING, J X g]4
THOMPSON, FREDERICK M., Portland, Me.
698. WOODLAND SYMPHONY. COLORED PRINT, I9KXI5. DONATED BY MRS.
FREDERICK M. THOMPSON AND EMPLOYES OF THE THOMPSON ART CO., PORTLAND, ME.
VERESMITH, DANIEL A., London, England
699. WHO IS IT? LITHOGRAPH, l8j^XII.K
700. THE ROMANY CHAL. LITHOGRAPH, I1}i X l%}4
701. SKETCH, PORTRAIT. LITHOGRAPH, 1 5K X l~] yi
702. BEHIND THE CURTAIN. LITHOGRAPH, 13^X17^
703. THE HUMBLE STALL. LITHOGRAPH, I^^XIJ^
704. YOU SHALL ALSO MOUNT WITH ME. LITHOGRAPH, 16x7
DONATED BY THE ARTIST
UNKNOWN ARTISTS
705. BLIND MAN'S BUFF. COLORED PRINT. DONATED BY MESSRS. H. MILCH AND
E. SMALLS, NEW YORK
54
|
706. |
CLIPPER |
SHIP, " |
|
707. |
CLIPPER |
SHIP, |
|
708. |
CLIPPER |
SHIP, |
|
709. |
CLIPPER |
SHIP, " |
|
710. |
CLIPPER |
SHIP, |
|
711. |
CLIPPER |
SHIP, " |
'THREE BROTHERS." COLORED PRINT 'OCEAN EXPRESS." COLORED PRINT 'DREADNOUGHT" OFF TUSKAR LIGHT. 'FLYING CLOUD." COLORED PRINT 'SWEEPSTAKES." COLORED PRINT 'DREADNOUGHT." COLORED PRINT DONATED BY MAX WILLIAMS, NEW YORK
COLORED PRINT
712.
WILLIAMSON, ADA C, Philadelphia, Pa.
THE LOAFERS. ENGRAVING. DONATED BY THE ARTIST
55
Statuary, Etc.
APPLEGATE, FRANK G., Trenton, N. J.
713. EGYPTIAN DANCER. PLASTER. DONATED BY THE ARTIST
714.
AYTON, CHARLES W., Paris, France
MADAME CHRYSANTHEME. BRONZE. DONATED BY THE ARTIST
The sculptor has work in the Art Museum of St. Louis. He is a medal man and took an honorable mention at the Salon.
BALL, CAROLINE P., Westfield, N. J.
71^. THE ENTOMOLOGIST. PLASTER
716. THE CANDLE. BAS RELIEF
DONATED BY THE ARTIST A pupil of Saint-Gaudens, Mrs. Ball has specialized in the decoration of fountains.
BARTLETT, MADELINE A., Boston, Mass.
717. HEAD OF A CHILD. PLASTER. DONATED BY THE ARTIST
Pupil of H. H. Kitson.
BARTLETT, PAUL W., Washington, D. C.
718. EAGLE. BRONZE
719. GIRL'S HEAD. PLASTER
DONATED BY THE ARTIST This sculptor has passed many years in France. Indeed, Paul Bartlett has monuments to his credit in Paris, and recently completed the figure groups for one of the grand pedi- ments on the Capitol in Washington. Son of the sculptor Truman H. Bartlett.
720.
BJORKMAN, OLAF, Brattleboro, Vt.
HEAD OF A THINKER. PLASTER. DONATED BY THE ARTIST
BROWN, IRENE, New York
72 1- REALIZATION. BRONZE. DONATED BY THE ARTIST
BRADFIELD, ELIZABETH PALMER, Pontiac, Mich.
722. KING BELL. BRONZE. DONATED BY THE ARTIST
CALVERLEY, C.
723. GEORGE WASHINGTON. BAS RELIEF AFTER THE BUST BY HOUDON. DONATED
BY ALBERT ROSENTHAL, PHILADELPHIA, PA.
724.
725-
CHAMBERLIN, EDNA W.
HIS FATHER'S SON. PLASTER THE MUFF. BRONZE
DONATED BY THE ARTIST
MOWBRAY-CLARKE, JOHN FREDERICK, Pomona, N. Y.
726. THE POET. BRONZE. DONATED BY THE ARTIST
Mr. Mowbray-Clarke is a sculptor and medal designer with work in the Metropolitan, New York.
56
ITALIAN GIRL
BY
Margaret F. Richardson
57
CONRAT, ILSA TWARDOWSKA
727. BRAHMS. BUST, PLASTER. DONATED BY LEILA USHER, NEW YORK
DAGGETT, MAUD, So. Pasadena, Cal.
728. WALL FOUNTAIN. STONE. DONATED BY THE ARTIST
In Southern California this sculptress has fountains to her credit. She is a pupil of Lorado Taft.
DAVIS, CHARLES P., St. Louis, Mo.
729. BOWL. COPPER. DONATED BY THE ARTIST
EDMOND, ELIZABETH, Pasadena, Calif.
730. TEARS. BAS RELIEF PLAQUE IN BRONZE. DONATED BY THE ARTIST
A pupil of Injalbert in Paris, this sculptress has worked with Bartlett, Dallin and Frazer in America.
FRENCH, DANIEL C, New York
731. VANITY. BRONZE. DONATED BY THE ARTIST
A charming fancy in bronze by the dean of American Sculptors, author of "Death and the Young Sculptor" and many single figures and groups in New York and other cities. His equestrian "Washington" stands in Paris.
GANIERE, GEORGE R., Chicago, "ill.
732. LITTLE JONNIE. PLASTER. DONATED BY THE ARTIST
GELERT, JOHANNES S., New York
733. PERSEUS DELIVERING ANDROMEDA. BAS RELIEF. DONATED BY THE ARTIST
Born in Denmark, and a student at Copenhagen the sculptor has gained many gold medals in his adopted country for exhibited work and has designed many statues and monuments.
GREGORY, JOHN, New York
734. THE FROG GIRL. PLASTER. DONATED BY THE ARTIST
Mr. Gregory won a fellowship in the American Academy in Rome which kept him abroad for three years.
GUEST, GEORGE, Groton, Conn.
735. THE GRADUATE. BRONZE. DONATED BY THE ARTIST
HORCHERT, JOSEPH A.; St. Louis, Mo.
736. THE SAVIOUR. PLASTER. DONATED BY THE ARTIST
HUMPHRISS, CHARLES H., New York
737. THE APPEAL. BRONZE. DONATED BY THE ARTIST
HUNT, ESTHER, Los Angeles, Calif.
738. PLUMBLOSSOM. PLASTER
739. AH WU. PLASTER
740. AH WU. PLASTER
741. JONQUIL. PLASTER
742. JONQUIL. PLASTER
743. SUEZ. PLASTER
744. POMO. PLASTER
745. POMO. PLASTER
DONATED BY THE ARTIST These little heads of Chinese and Japanese children are charming in color and excellently modelled, very decorative and suited to library and parlor.
JONES, FRANCES D., Philadelphia, Pa.
746. SMALL BEAVER. PLASTER PAPER WEIGHT. DONATED BY THE ARTIST
58
KOHLER, ROSE, Cincinnati, Ohio
-4-. BOOK ENDS. PLASTER. DONATED BY THE ARTIST
KORBF.L, J. M., New York
748. MODESTY AND VANITY. BRONZE. DONATED BY THE ARTIST
LAURENT, ROBERT, New York
749. LADY'S HEAD. WOOD CARVING. DONATED BY THE ARTIST
MASON, MARY WINFIELD
7^0. ALBERT I, KING OF THE BELGIANS. BRONZE Bl ST
MORAHAN, EUGENE H., New York
751. FROG. BRONZE. DONATED BY THE ARTIST
McCARTAN, E., New York
7>2. TAN. BRONZE. DONATED BY THE ARTIS1
PAIST, HENRIETTA BARCLAY, Sr. Paul, Minn.
753, LAMP VASE. PORCELAIN. DONATED BY THE ARTIST
PORTNOFF, ALEXANDER, Philadelphia, Pa.
754. DEMETER AND PERSEPHONE. BRONZE. DONATED BY THE ARTIST
755-
RICKETSON, WALTON, New Bedford, Mass.
HENRY D. THOREAl". PLASTER. LIFE SIZE BUST. DONATED BY THE ARTIST
TOWNE, MRS. CONSTANCE T., Noroton, Conn.
7*56. I.'oiSEAU AZURIN DE JOI, A YOUNG DANCING GIRL. PLASTER. DONATED BY THE ARTIST
UNKNOWN ARTIST
757 \ND 70O. DANCING GIRLS. PORCELAIN FIGURINES. DONATED BY L. ORSELLI, NEW YORK
VINCENZO, MISERENDINO, New York
758. CONTEMPLATION. PLASTER STATUETTE. DONATED BY THE ARTIST
50
Miscellaneous
UNKNOWN CHINESE PAINTER
759. THE FAIRY (60O YEARS OLD). DONATED BY A. W. BAHR, NEW YORK
Although this Kakemono must have been always beautiful, age has added greater charm to the colors. The subject is one familiar to Chinese literature and represents a nymph, a supernatural woman.
BAYNE, WILLIAM, New York
760. EXAMPLE OF BATIK WORK. 15 X 21. DONATED BY THE ARTIST
Dyed in the Javanese method.
FRERET, EMILY M., New Orleans, La.
761. JEANNE d'aRC. EMBROIDERY. DONATED BY THE ARTIST
UNKNOWN ARTIST
762. BOUQUET OF ROSES. TINSEL PICTURE, I4K X IQ.J4- DONATED BY C. F.
DICKENSON, NEW YORK
A combination of colored tinsels pasted on boards with water color for outlines and drawing. Curious and interesting technique.
UNKNOWN ARTIST
763. JAPANESE GIRL. l8TH CENTURY PICTURE ON GLASS, II X 1$J4- DONATED
BY KARL FREUND, NEW YORK
PIETZ, ADAM, Philadelphia, Pa.
764. LINCOLN MEDAL, GIRARD MEDAL, DECATUR MEDAL, GOOD LUCK MEDAL.
BRONZE, OF VARIOUS SIZES. DONATED BY THE ARTIST
COLORPLATE ENGRAVING COMPANY, New York
The reproduction of Mr. John Newton Howitt's beautiful picture, "The Eyes of Love," and the color printing were donated by the Colorplate Engraving Company, of New York.
The billboard space for the large posters displayed about the city is donated by the VAN BUREN AND NEW YORK BILL POSTING COMPANY.
The use of the ANDERSON GALLERIES for the Exhibition is given rent free by the proprietors.
60
CLARA LORING, OF THE GRAND OPERA
BY
Cornelia C. Davis
6 i
Art Objects Donated to The Fund and Dis- posed of Prior to This Exhibition
DOYLE, C. W., New Orleans, La.
AT THE ISTHMUS. DONATED BY THE ARTIST. S4O
FANCY, LYMAN, Forest Hills, L. I.
STILL LIFE. OIL. DONATED BY THE ARTIST. $2$
GILCHRIST, W. W., Jr., Philadelphia, Pa.
MENDING THE FLAG. OIL. DONATED BY THE ARTIST. SOLD AT THE HERO LAND
BAZAR, NEW YORK, FOR S5OO A SILVER VASE. DONATED BY P. JACKSON HIGGS, OF THE HOUSE OF PHILIP ORIEL,
NEW YORK. SOLD AT THE HERO LAND BAZAR, NEW YORK, FOR $22$
HUNT, ESTHER, Los Angeles, Calif.
PLUM BLOSSOM. PLASTER STATUETTE. DONATED BY THE ARTIST. $20
MAZUR, WLADYSLAW, New York
MERHISS. STATUETTE. DONATED BY THE ARTIST. $2$
POOLE, BERT, Dorchester Center, Mass.
EARLY OCTOBER, MILTON, MASS. PASTEL, 22 X 19. DONATED BY THE ARTIST.
SHERWOOD, MARY CLARE, Lyons, N. Y.
EARLY AUTUMN MORNING. OIL. DONATED BY THE ARTIST. S137
TADAMA, F., Seattle, Washn.
SCENE ON THE BEACH, KATWYK, HOLLAND. OIL PAINTING. DONATED BY THE ARTIST. $150 ■
TRAVIS, OLIN HERMAN, Dallas, Texas
LANDSCAPE. DONATED BY THE ARTIST. $83
TUTHILL, MARY, New York
PASTEL. DONATED BY THE ARTIST. $10
WILLET, WILLIAM, and LEE, ANNIE, Philadelphia, Pa.
765. STAINED GLASS PANELS, DANTE AND BEATRICE, WITH TWO CIRCULAR UPPER LIGHTS. 2% FEET X I FOOT.
DONATED BY MR. AND MRS. WILLET, PHILADELPHIA, PA. . These two long lights of brilliant glass with their round upper lights reflect in manyways the Italian Renaissance.
WOODWARD, ELLSWORTH, New Orleans, La.
SOUTHERN PINES. PAINTING, 18x24. DONATED BY THE ARTIST. S15O
62
THE LAVENDER PARASOL
BY
David Ericson
63
STAINED GLASS PANELS, i6th CENTURY STYLE
BY
William and Annie Lee Willet
64
Sentiments of Artists Inspired by Soldiers Who Have Lost the Precious Sense of Sight
The generosity of artists and their quick, warm hearted sympathy are proverbial. No finer or more remarkable example of these traits probably ever has been afforded than in this Exhibition. The American-British-French-Belgian Permanent Blind Relief War Fund last summer sent out an appeal to American artists for pictures and statuary to be sold for the benefit of blinded soldiers. This collection is the answer. Works of art poured in from all parts of the country. Some came from such far off places as Paris, London, and Honolulu. Sight to artists is, of course, the most precious of the senses and realization of all that its loss must mean found expression in hundreds of letters that reached the Fund. Appended are a few of these sentiments:
To whom could your Fund appeal more than to the artist — through whose eyes comes the great joy of life, appreciation of beauty?— KATHERINE LANGHORNE ADAMS, New York.
To assist them in every available way is the least we, who have our sight and strength, can do.
—HENRY J. ALBRIGHT. Glenmont, N. Y.
Of alt the host of maimed and shattered manhood who have made a supreme sacrifice for the cause of liberty, justice and a world peace for which we are fighting, the brave, splendid fellows who have lost their sight and now find themselves in a darkened world by this great catastrophe of nations, should appeal most to our sympathies for all the help and encouragement that we can give.— JOEL NOTT ALLEN, Flu, lung. N. Y.
The greatness of the human sacrifice certainly becomes the measure by which the Divine Love bestows its blessing of a rarer vision and very often of a more noble manhood. This does not lessen our responsibility. Our appreciation and gratitude for this great service rendered by those brave ones should be in like measure of service, that we be not found wanting, found "blind" also to our privilege of serving and heeding not the rebuke of our Master, "Having eves ye see not."
MAY AMES. Cleveland. Ohio
I do indeed feel that it is a privilege to be asked to contribute a painting to help along a cause that is as near to the heart of every true American as this Permanent Blind Relief War Fund. I thank the Committee for giving me an opportunity to help in this way.— EDITH C. BARRY, Montclair, N.J.
To be able to assist, even in a slight degree, in a cause so appealing, and to have the opportunity to do so through such a wonderful organization are privileges to be devoutly thankful for — MARY B. BEMUS, Redondo Beach, Cal.
To be blind, never to be able to see Nature's wonders or our beloved ones' faces, ever in eternal darkness, must be a heavy cross to carry. It is to miss our great birthright, all that is glorious in the mighty sun, the silent moonbeams and every season's awe-inspiring scenery, and— the most cruel — never to see the one you most love. I bow reverently to vou, blind heroes, for you carry the Light within you.— OLA F BJORKMAN, Ames Hill, Vt.
I hope that each artist who is invited will send freely and give his favorite child — as all true painters love their pictures as they do their children— for the relief of the Blinded Soldiers.— LOUISE UPTON BRUMBACK, New Y'ork.
I thank you for giving me an opportunity to help in a small way, this splendid cause.
—EDNA W. CHAMBERLIN. Summit, N. J.
If a picture of mine will contribute even a little to the work for the blind which you are carrying on I shall be very glad The sense of beauty cannot die and will live in some form even if sight is lost. — JESSIE L. CLOUGH, New York.
W hile one would be glad to respond to all appeals for war causes, there can be nothing that will reach the painter like this appeal for the sightless, for those who will never again see all the beauty and wonderful color that is still left in the world in spite of war and destruction. — ANNA BELLE CRAIG, Pittsburg, Pa.
I regard blindness as the next thing to death and I personally would rather die than be blind. But as the poor unfortunate soldiers have no choice I regard the work you are doing as one of the grandest and noblest of any relief work that is being done.
—CHARLES R. ERDMANN, Dayton, Ky.
I trust that the exhibition will prove a grand success so that the dark future that lies before these brave and unfortunate victims of the just cause for which thev have fought will be brightened and their sufferings made less and easier to bear.
—FREDERICK J. BOSTON. New York.
That the art product of the day should thus find a place among the useful commodities in the crisis we are facing is good to know. I wish it were a sign that in more subtle ways the constructive thought-life of artists and others as well might be utilized in this war, in which the inner constructive and destructive forces of all human-kind seem pitted against each other. There seems to be in this call for help for the blinded soldiers a process for freeing such inner constructive forces not only in the great number of these afflicted men but also in those to whom this terrible misfortune sets free a moral imagination.
—IRENE BROWN, Hyannisport, Mass.
65
The most profoundly touching thing I have ever seen was a blind French soldier lunching under the trees on a summer day in the courtyard of a country inn. He sang snatches of song and touched the flowers on the table with pitifully faltering hands and tried to tell his companion, a lady, what color they were, or whether his hand was in the sun or in the shadows of the leaves of the trees which he heard rustling in the gentle breeze, but which he could not see.
—CAMERON BURNSIDE, Paris, France.
The artist above all others can appreciate the terrible loss sustained by those who have been blinded in the war. To him the eves are the gates through which the greatest joys of life enter and to close those gates, would be an affliction greater than death itself— NORVAL H. BUSEY, New York.
FREEDOM OF THE SOUL
By Bert Poole, Boston
Dedicated to the Artist Soldiers uko haze lost their sight in the present war for Universal Peace, Liberty and Democracy.
Thou'st joyed with me in vivid hues, 'mid open fields and fens. Where golden tones and distant blues the summer landscape lends;
We've sketched the purpling autumn hills, we've painted by the sea, And mem'ry now recalls those scenes to thee, as well as me.
And what a joy that mem'ry brings; to thee, far more than me, Thy fancies' flight hath angel wings, while mine more fettered be.
So let not thoughts of loss or gloom engross thy days and hours, For still upon this earth is room for thy remaining powers.
They are of God. 'Tis not denied that He inspireth thee And bounteous blessings will provide to thee as well as me.
Remain, brave soul, thou't done one turn for us who still have eyes; Now show us how good cheer to learn, where present duty lies.
The greater glory comes to thee who braved the bursting shell, Exalting to Diviner heights from out the battle's hell.
Together shall we still press on, till LIBERTY remain, WHEN FREEDOM OF THE SOUL is won, there is no loss, but gain.
It is a duty of all to help those who have fought and have lost for their brothers the most precious of all their heavenly gift, and a double duty when we consider how they bear their misfortune with fortitude. It seems that all the blind of the war have in mind the sonnet of Milton — "When I consider how my light is spent." The prevailing point in helping the blind is to urge them to believe that thev have not become useless or entirely dependent upon others.
—LOUIS H. S. CALEWAERT, Rome, Italy.
Lives there an American who will not say, "O ! noble Frenchmen, you who first led us into the beautiful fields and hills and taught us how to see and how to paint Nature; you who first trained our eyes to see its truths and beauty that we Americans might find our lives enriched by better Art, now that the black night has overtaken you, we come to you! We give our hearts; we lend our eyes that you may find somewhere in God's fields and hills great compensation. And blinded though you are, w-e know that God has set the palette for the masterpiece that you have visioned, and we come to you with heart and hand; with all our strength to help you complete the great Masterpiece of World Liberty."
— L. M. CHURBUCK, Brockton, Mass.
The appeal made by your Fund cannot fail to bring in a hearty response from the artists, who surely realize an unspeakable affliction in the loss of sight, and especially to those of their profession. Kipling in "The Light That Failed " expressed strongly the pathos of that misfortune.— OSCAR R. COAST, Santa Barbara, Cal.
The little gift I make for my blind brothers is not really a gift; it is an inadequate attempt towards paying a debt of honor which I owe to those who have accepted suffering and darkness now, for the sake of the great Vision of liberty and justice. Their night will end in the Beatific Vision !— GENEVIEVE A. COWLES, South Byfield, Mass.
No more the Primrose Path can read Those Blind from whom the light has fled. One comforting thought is left to these
That fought and bled. Not in vain they gave. But in Civilization's March to Freedom and Liberty, they have led.
—FREDERICK K. DETWILLER, New York.
It is a blessed privilege, indeed, that we can in any way be of service to our brothers who have given and who are still giving through sacrifice and suffering so full a measure of devotion to the "Great Cause of Liberty and Justice throughout the World." It is as the sowing in "God's Garden of Love" that shall bring forth the flowers of "Peace On Earth, Good Will Toward Men." Our dear brothers have truly given of themselves that there may be more Light, more Truth, more Love in the world, and though they miss the Light of day, we know through God's Word and through experience of Life itself that, there is a "Greater Light" that shines within that cannot be taken from them and that will shine brighter and brighter unto "Perfect Dav," — aye they shall continue to reap as they have sown, full measure from "God's Garden of Love."
— F. USHER DE VOLL, Providence, R. I.
I wish your organization the greatest possible success in your efforts to relieve the distress and suffering of the blinded soldiers in this terrible war. — W. H. DRAKE, Los Angeles, Cal.
God speaks through the beauty of His marvelous creation to all who have eyes to see. All who have eyes to see — see not. But to have seen and then to be swept into an abyss of darkness, is God's greatest test in the understanding of the perfection of His Wisdom. We who dwell on this round earth see but half. We can never see the whole. Therefore the suffering in groping to understand intensifies the pain. Those of us all who are blessed in the possession not only of eyes, but of seeing eyes, with reverence and tenderness give what we can to alleviate the intense pain of those who dwell in darkness.
— KATHERINE S. DREIER. New York.
There can be no greater sacrifice than the loss of sight to the youthful and strong. It is our duty to do what we can for those who must live in darkness, especially when it is brought about in the fight for the freedom of mankind.
— DAVID ERICSON, Provincetown. Mass.
I hope my contribution will in a small measure bring a little message of cheer to some soldier who has been deprived of his sight in this sacred cause of liberty and justice for which the world is at war.
—HELEN M. GOODWIN, Long Beach, Cal.
66
Of the many appeals I am receiving almost daily none so wring my heartstrings as those asking aid for those who have lost what to me is God's greatest gift — sight. How man can endure it is beyond my understanding. Pain, yes, we suffer pa- tiently, in the belief that it may be remedied, but to go groping through life depending on hands however willing, the thought is unendurable! So I am cheerfully sending what I can and am grateful for the opportunity to do so.
—BEN FOSTER, New York.
Of all the noble efforts which have been made to assist those who have suffered in this cruel and wholly unnecessary war, none is more worthy than the helping of the sightless, nor can too much praise be given to your administrative Committee which brings sunshine into the lives of these sufferers by rehabilitating them economically and thereby, as you so well put it, making them an asset instead of a charge to the community. — MAURICE FROMK.ES, Monomet, Mass.
As to an expression of opinion of your labor of mercy, it is so far above encomium that all worthy of appeal can only respond to the utmost of their practical ability and be grateful to you for the chance. — CLARENCE M. GIHON, Paris, France.
A cry of terror thrills the trembling world,
The seas of wrath their burning torrents pour,-
Hear! Freedom calls us, sick of human gore,
To save her from the mad defiance hurled
To where she stands with banner still unfurled:
And one and all. as proudly as of yore,
We rise in myriads from shore to shore
To stem the tide that round her throne has swirled.
Each to his task! With life and limb the one. With warmest heart-blood soaking foreign sand Until, at last, a glorious victory won. The vicious hydra's poisonous breath be gone. The other, ours, to stretch to those a hand W7ho saved but life in fight for Fatherland.
— IVAR ELIS EVERS, Ulster County, N. V.
I think your plan for making them (the blinded soldiers) useful members of society again, is of inestimable value to them selves as well as their country.— KATHRYN GRAY, New York.
My heart is full of sympathy for those unfortunates who can never see the sunshine again, so I am glad to be able to con- tribute a ''little bit" towards your helpful purpose. — W. T. HALSALL, Provincetown, Mass.
THE SOLDIER'S RETURN
By Mary B. Sawtelle
Staunton, Va.
Mother, I hear a step upon the stair. It thumps, it stops, it comes again,
It is so slow — Mother, why is it so?
Hark I hear a whispering voice — Oh God, can that be he. My father — so weak — Oh mother — mother speak!
Mother, his hands feel for the knob — I hear him sighing without The door he cannot find — Oh mother, is he blind?
Only one step within the room — A heavy thumping of the crutch — A cry to me and you.
Mother, what can we do?
He stands so quiet beside the door — His hollow sockets with no eyes — A whisper when he spake — Mother, my heart will break.
His gaunt hands grasp his wooden crutch — My mother covers her face — Tears are falling like rain. Mother, will he see again?
He does not speak, he cannot see, The stump hangs limp from his hip — His face is ashen white. Mother, for him it is night.
The loss of sight: who can describe its terrors ? "Let me die," cries the one whom such a calamity overtakes. Gone for- ever are the beauties of nature and art. The golden dawn, the azure sky, the cloud palaces, the rolling hills, the extended plains, the rugged mountains, the snowcapped peaks, the surging sea, the winding river, the light of day, the glory of sunset, the evening shadows, the starry heavens, the infinite display of color — all have fled away and only a dream remains. And the works of man: the great masterpieces, priceless statuary, mechanical wonders, stately cathedrals, towering monuments, marble palaces, and imposing public buildings — impenetrable darkness obscures them all. What a mighty, boundless sweep of nature is possible to the eye; and what a world of beauty vanishes when sight is lost. — LEE HAYES, Butte, Mont.
We cannot restore the sight of these brave men, but we can assure to them an occupation and comfort. The service they rendered extends to all future civilization and liberty. Let us do our duty as they have done tlu-irs.
—MARION HOWARD, Washington, D. C.
It seems to me that anyone piving his eyesight in our defence has more than given his life, with the difference that he is still accessible to our gratitude.— JOHN MEAD HOWELLS. New York.
67
I think it is the duty of every one to do something for those unfortunate men who have lost their sight (the most terrible of all afflictions in my mind) in defending not onlv their own countrv but all the civilized world.
—CHARLES H. HUMPHRIES, New York.
Our hearts go out to those disabled "in this war, particularly to the artists and their families, and it is with a thrill of pleasure that this opportunity is found to do something definite for them.
— D. HOWARD HITCHCOCK, Honolulu, Hawaiian Islands.
It is a privilege to be able to contribute my work to such a fund. — ESTHER HUNT, Los Angeles, Cal.
We who have the incalculable blessing of sight cannot realize what it means to be suddenly deprived of it, but if we who have eves may use them to bring some little comfort to those blinded in this great war, it is our blessed duty and privilege.
—SARAH NOBLE IVES, New York.
Permit me to say I deem it a great privilege to contribute to a most worthy cause, and sincerely hope the heartfelt appeal that has been made will be bountifully blessed with many sympathetic responses. — ROLSTON KEELER, New York.
Isaiah 42:16 — "And I will bring the blind by a way that they knew not; I will lead them in paths that they have not known; I will make darkness light before them, and crooked things straight. These things will I do unto them, and not forsake them.'' I believe that the law of Creative Mind, or God, is greater than all else, and through the fundamental logic of its con- structive power is able to overcome and master every adverse circumstance. — MABEL KEY, Milwaukee, Wis.
It is very fitting indeed that the artists of America should help in this worthy cause by giving a part of themselves to the relief of the blinded soldiers who have lost that precious sense of sight through which alone the works of art can be appreciated.
—AUGUST KLAGSTAD, Minneapolis, Minn.
Permit me to say that I truly feel and very deeply so grateful that I should be enabled to possess your letter which in its appeal goes straight to its mark; touches both the heart of the true workman and that of the lover of all beauties of Nature and of good works done by man when shaped for the cause onlv in the interest of Peace and of Humanity.
—CARLTON JULES KUSCHE, Oshkosh, Wis.
I surely consider it a great privilege to be able to help in my small way such a wonderfully great Cause, for among the many ways of serving suffering humanitv, I consider this of helping the blind one of the greatest.
—LAURA D. S. LADD, Philadelphia, Pa.
I am so very, very glad to have the opportunity offered me to do my bit for those who have made so great a sacrifice for me and mine and for my country's welfare.— M. RACHEL LAZARUS, Shady, N. Y.
I heartily wish this good work every possible success, as all things pertaining to the welfare 0/ my beloved country and certainly to those brave countrymen defending it is very dear to me.
"Not what we give, but what we share
For the gift without the giver is bare;
Who gives himself with his alms feeds three. —
Himself, his hungering neighbor and Me."
—MARIE E. HENRY LICHTENSTEIN, New York
To us artists, no greater loss could be conceived, than the loss of sight. No greater sacrifice could a soldier make in the cause of human right and justice. When the history of this war comes to be written, it will be found that the names of those heroes who gave their lives for the cause, will occupy in the imperishable hall of fame, a niche onlv a little higher than those men, who in the cause of freedom offered up their precious sight.— ROBERT FULTON LOGAN, Hartford, Conn.
In the great Scheme of Creation, "Let there be light" was the first Divine command. So, in our attempt to create a new world freedom, shall not our first consideration be to give light in every way possible to those heroes who have entered into life-long darkness to attain this freedom for us ?— ELSIE MOTZ LOWQpN, Dallas, Texas.
It gives me the keenest pleasure to be able to serve — though in a small way — those who have given so much for the cause of freedom — who have become blinded in the service. To no one perhaps more than to a painter, can this sacrifice seem so great.— FLORENCE LUNDBORG, New York.
No cause seems more worthy than this one of helping the blind soldiers and sailors and no phase of this dreadful war is more touching. I sincerely wish it were in my power to do very, very much more. — JULIA M. MASSIE, New Orleans, La.
I thank you heartilv for the privilege of helping, in ever so small a way, and hope that I may in the future be led to do more.— ELOISE MONTGOMERY, Monteagle, Tenn.
I consider your cause the most worthy of all — as blindness is about the worst affliction that can befall a human being.
—FREDERIC NUNN, West Philadelphia, Pa.
Our heart and best wishes go to the sightless victims of this war. We pray that the good God grant them, as he did to the blind Milton, the great joy of a clearer vision of His own Eternal Beautv and Goodness.
—MARIE a«d E. M. DE HOA LE BLANC, New Orleans, La.
It seems to us artists, to whom our precious vision is all in all, that these poor fellows have given more than all, that justice and liberty may triumph.— ROBERT FULTON LOGAN, Mystic, Conn.
If my little mite is of aid to a blinded hero of this war for liberty against hypocritical and blasphemous autocracy, I shall be grateful.— CHARLES WM. MacCORD, Bridgeport, Conn.
■Our great teacher Jesus of Nazareth said "He that loseth his life for my sake shall find it." These words have lost none of their truth during the centuries since uttered, and do apply today to the heroic soldiers who have and are now with selfless nobility standing for the saving of the race and the brotherhood of man. The flame-swept forest on the mountain side springs anew into verdure bud and blossom. To requite even in a measure the sacrifices of the valiant soldiers of France by helping them to usefulness now and securitv for the future, is but another note in the hymn of freedom.
—FLORA T. McCAIG, Chicago, III.
68
No sacrifice which we can make, will ever repay our obligations to those of our brothers who willingly and freely gave them- selves to save mankind from slavery to an unscrupulous autocracy; and those of them who have survived, separated by con- tinued darkness from the rest of the world, must be regarded and considered even unto the last as civilization's most precious wards, for whom it will always be an honor and a privilege for free men to provide.— JAMES P. McRICKARD, New York.
I think every one yearns to be able to do his or her "bit" towards relieving the suffering of those who have offered their lives on the Altar of Liberty and Justice, and I am sure many "ill welcome the opening you point out.
—LAURA M. D. MITCHELL, Alhambra, Cal,
Among the many worthy efforts to relieve the untold suffering and misery caused by this terrible war, there is none which appeals so stronglv to the artists, to whom sight is an absolute necessitv, as the wonderful work which your Committee is accom- plishing.—EDWARD L. MOSS, StockbHdge, Mass.
I thank vou for the pleasure you have afforded me in enabling me to take part in so noble a work.
— CORINNA M. MURIA, New Orleans, La.
Yours is indeed a work in which artists should gladly aid, not alone because they can best appreciate what the loss of sight means, but because many, being prevented by their profession from sharing more fully in the great struggle going on today, will find in your activity a means of helping the cause. — WALTER PACH, New York.
"LET THERE BE LIGHT!" By Will Coffee, Philadelphia.
( To those blinded in battle)
"God said, 'Let there be light,' " and lo! there came From Chaos — order; and the great gold Flame, His servant, rainbow-hued the earth, fresh From His hand, with all the glorious mesh Of shimmering color; pulsing joy, aglow With life ! Ah, this was ours, 'twas ours to know The brightness of it all, till that red shock Came in the black turmoil, as if to mock At death all merciful! God pity us!
Christ pity us! And lead our souls from out the night. And bring us home to Thy sweet light; Nor let the darkness come between Thy rest and us. With peace serene
Christ comfort us. "God said, 'Let there be light.'"
No war work for the benefit of the heroes of this terrible world struggle is of greater moral value than that performed by your society. The Blind Relief War Fund is a noble effort to bring light and hope into the lives of those doomed to live in darkness and despondency. It is a privilege to aid in the work. — GEORGE PEIXOTTO, Paris, France.
Outward blindness often gives inward sight.— GEORGE DECATUR POND, Leonia, N. J.
It seems just and right that all who find life rich and beautiful and varied in interest, by power of vision, should do all that is possible to make life endurable fur those who have lost that power by offering their lives fnr their ideals.
HENRIETTA M. SHORE, Los Angeles, Cal.
We artists can only gladly give of their work whatever its fraction of value may be, and fur blinded French artists there is a claim more personal, for most of us have had some little benefit of study there.
—ALICE BARBER STEPHENS, Moylan, Pa.
That such splendid, able-bodied men should be rendered unnecessarily helpless through loss of sight, is too pitiful! And I am very glad that there is such a society as yours that is trying to make their lot more bearable.
— SULAMITH SOKOLSKY. New York.
Your appeal touches deeply the heart of the artist to whom the sense of sight is above all else in the world, and the loss of which renders those who are robbed of that sense the most tragically pathetic victims of the horrors of this war.
—AGNES TAIT, New York.
I am eager to help in so noble and so moving a cause as that of the Permanent Blind Relief War Fund.
— PATTY THUM, Louisville, Ky.
There is no object that could make a stronger appeal to me. The most horrible thing in connection with the war is the awful number of maimed who will be left in its wake, and of these the saddest case is that of the blind. And from all account, the sportsmanlike courage with which they accept their condition is inspiring.
—HENRY W. TOMLINSON, Valley Cottage, N. Y.
I consider it a pleasure as well as a privilege to contribute a picture to your Fund which I think is one of the worthiest of the many now asking for public support.— C. P. TOWNSLEY, Pasadena, Cal.
I consider it a great honor to have the privilege of contributing any of my work, be it ever so little, towards the relief of suffering humanity. I wish that I could make it a hundred fold more. — A. R. VALENTIEN, San Diego, Cal.
To know the French people is to love them. This war which has caused them such terrible suffering and sacrifice has also revealed to the world the fact of their greatness, their high ideals and tenacity of purpose. I fain would cry so that they and the whole world might hear "Vive la France et la justice!" — FERDINAND G. WALKER, Louisville, Ky.
All artists and all men and women of imagination and feeling know what it would be like to be blind. Your body may be maimed, a limb may be gone and still life and light can go on. But to the blind all is darkness. They have seen life and they cease to see. They have walked the path with courage, now they must grope their way in fear. If these blinded men had flinched before the frightful blows of Prussian terrorism this world that we live in would be dominated to-day by a soul- crushing, pitiless machine. Can we not show kindness, pity, and gratitude to those who have fought that kindness, pity, and gratitude "shall not perish from the earth"? — JOHN D. WHITING, New Haven, Conn.
69
I feel you are doing a wonderful work and wish you every possible success. Naturally 1 want to help you with my own personal contribution.— HELEN REED WHITNEY, Moylan, Pa.
The thought of the blinded men of France is a poignant one; France to me means the Light, Beauty, Heart, Brain of the world. I owe to her my comprehension of art, and such ability as I possess. All that is dearest to me in my life and work, France has freely given me, and to use her gift, to in some small degree, comfort those who have given the most precious of the senses in saving her to the world, is a privilege as well as a duty. — DEWING WOODWARD, Ulster County, N. Y.
The cause is one which engages the sympathy and interest of all artists. — E. WOODWARD, New Orleans, La.
SKETCHES AND A PICTURE. By Kate Lesh Cotharin, Boston. Dawning and afterglow, Carpets of gold, Glazed snow. Days and years Of Light.
Dawnings still, and afterglow, Spring's golden carpet, Winter's snow. But — davs and years Of Night.
Over a trackless desert The silenced, sightless caravan Passes.
The desert lamps — God's stars — hang low.
Christ guided All the way — they go.
"And as Jesus passed from thence, there followed Him two blind men crying out and saying, 'Have Mercy on us, 0 Son of David,' and when He was come to the House, the blind men came to Him — And Jesus saith to them, 'Do you believe that I can do this unto you ? ' They say to him ' Yea Lord.' Then He touched their eyes, saying, ' According to your faith, be it done unto you." And their eyes were opened." Let us not forget He also said, "Greater things than these shall you do if you believe in me." We must do them now. — CONSTANCE T. TOWNE, Noroton, Conn.
The appeal must touch very closely those of us who live by our eyes and through our eyes. To be forever denied the blessing of sight seems to me one of the most cruel afflictions which this terrible war has brought upon mankind, and I am only too happy to give you one of my pictures if it will mitigate the agony and suffering of some poor victim.
— E. H. WUERPEL, St. Louis, Mo.
The situation of the blind soldiers comes nearer home to me than to many, as I have had in a pretty lonely life, all sorts of trouble with my eyes. Had I the funds of many an opulent citizen I should by all means consecrate much of my means towards the cause of the blind in the keenest appreciation of the fact that I possessed the most valuable sense that a gracious Creator has given us.— ROBERT VONNOH, New York.
If you pour all your powers into any work you are able to do and to love — if you love to work — your life will be a happy one. If you endeavor hour by hour and week after week to learn to work hard, intensely, you will soon feel the joy of Creating That feeling fills the heart and soul with light by its uplifting inspiration. You know that character is power, knowledge is power— and these are yours if you wish.— E. MENDELHALL CHURCHMAN, Philadelphia, Pa.
Those brave men who have lost their sight in this war, may, by our efforts, be aided in their needs in this life. This may lead to their receiving a Spiritual Sight — so, that though bodily, they are in darkness, their Minds will be in the Light. —FRANK DE HAVEN, New York.
This is not a war of peoples but one of Savagery against Humanity — of darkness against Light; therefore no more fitting aid can be given its victims than to those who have given their light for the sake of the Light of the World.
JOHN BREYFOGLE-WINSTANLEY, New York.
70
Institutions Maintained in France
by the
American— British— French— Belgian Permanent Blind Relief War Fund
{Under the official administrative direction of the French Government)
The Chateau de Madrid, in the Bois de Boulogne, Paris. One of the finest and most up to date institutions in the capital, although the structure dates from the Middle Ages, where blinded officers and soldiers are welcomed for the period of their convalescence and where they are taught Braille reading and typewriting and whatever other useful pursuit thev elect to adopt. The chateau which is in most beautiful surroundings, contains 100 rooms and 30 baths. Payment of the rent for the period of the war has been assumed by M. Jacques Seligmann, the well- known antiquarian of Paris.
Industrial School for Blinded Officers and Soldiers, 27 Boulevard Victor Hugo, Neuilly, near Paris, known officially as Hopital Benevole 23 bis. Here instruction is given in the most lucrative industrial trades and commercial occupa- tions. Knitting by machinery is taught to married men, and a brief course also is given to their wives. A machine is presented to them when they have com- pleted their instruction, and as the articles they make, from ladies' sweaters of the latest style to socks, caps and mittens, are in great commercial demand, they are able to earn a very comfortable living indeed in their own homes. The building, which at the outbreak of the war was fitted up as headquarters for General Joffre and his staff, contains 80 beds, spacious rooms, a gymnasium and a concert hall. The rent is contributed by Mrs. George A. Kessler.
Raw Material Depot, 31 Boulevard Richard Wallace, Neuilly, near Paris. Here machines, tools and raw materials are kept for the accommodation of blind soldiers, who having learned a trade have been established in business in their own homes. This place is given rent free by Mrs. Leopold Kahn.
Home for Blinded Soldiers and Their Families from the Devastated Re- gions, La Garenne-Colombes, near Paris. Many of these families were in most pitiable plight because landlords in Paris and its vicinity would not accept these poor and helpless people as tenants, and they could find no permanent lodgment anywhere. Diversified trades are taught here to the men and the other members of the family able to work until they are capable of supporting themselves. Then fully outfitted they leave to start life afresh and make room for others. The rent of this institution is paid by Mr. and Mrs. MacConnell.
La Roue (The Wheel), 75 Avenue des Champs-Elysees, Paris. Braille Print- ing establishment and library, founded by Miss Alice Getty. Here books of in- struction and recreation, calendars, and other "literature" are turned out. To date nearly 4,000 volumes have been printed. Every month two or three books are sent gratis to each person on the Fund's list. The rent of this workshop is paid by Mr. H. H. Getty and Miss Alice Getty.
7i
a
Quarters and Workshops for Blinded Belgian Soldiers, Port Villez, near Ver- non. Here diversified trades also are taught. This place was established at the request of the Belgian Government. These blinded men are all from Flanders and do not speak French. They were in consequence most unhappy and home- sick in the French Government institutions where they were first accommodated and little or nothing could be done with them. Port Villez is a great hospital centre for the Belgian armv, hence their Government's wish that they should, if possible, be transferred there. Immediately on receipt of the appeal our Fund constructed the necessary living quarters and workshops, and the blind men, re- united with their families and among their own people and with their future well being assured are happy once more.
Chateau de Rochecorbon, near Tours. This has accommodation for 100 men and has been fitted as an industrial school on lines similar to the other institu- tions described.
European Executive Offices of the American-British-French-Belgian Perma- nent Blind Relief War Fund, 75 Avenue des Champs Elysees, Paris.
In addition to establishing and maintaining these places the Fund has caused to be pensioned by individual American sympathisers with its work 37 blinded soldiers who have also lost limbs; that is to say, these generous Americans have undertaken to double as long as the beneficiaries live, the inadequate pension of S240 a year allowed by the French Government. It has purchased cottages for 24 graduates from its institutions and established them in business. It has started 280 others in business and paid their rent for one year, and up to April 15th the Raw Material Depot had filled 2,218 orders.
AID GIVEN TO OTHER ORGANIZATIONS
Apart from its own work, our Fund has donated to the following organizations upwards of $> 160,000:
American Red Cross L'Aide aux Soldats Aveugles
American Jewish Relief Commission Polish Relief Fund
Abri du Soldat Aveugle Pret d'Honneur aux Soldats Aveugles
Association Valentin Haiiy Rumanian Red Cross
British-American War Relief Fund Secours National
Commission for Relief in Belgium Societe des Amis des Soldats Aveugles
Ecole de Massage des Soldats Aveugles Societe des Ateliers d'Aveugles
Foyer du Soldat Aveugle
Permanent Contributors to
St. Dunstan's, Regent's Park, London,
After Care Fund for British Blinded Soldiers and Sailors
Our Entire Equipment has been placed at the disposal of the United States Government without any reserva- tion whatsoever for the American Blinded Soldiers.
The upkeep of these institutions is necessarily heavy and it is increasing every day with the advance in the cost of living and of materials which frequently doubles overnight. Hence our need for funds is constant and urgent. We have unbounded faith that you will help us to meet this need.
72
Let Your Money Do Double Duty
Now that you have done your duty to the United States Government and helped it to win the war by buying Liberty Bonds and War Savings Stamps, let your money perform a doubly sacred purpose. Turn over as many of these bonds and stamps now as you can to the American - British - French - Belgian Permanent Blind Relief War Fund to put a blind soldier and his family on their feet. Send them to
EUGENE V. R. THAYER
Hon. Treasurer 590 FIFTH AVENUE NEW YORK
Engraved and Printed by The Colorplate Engraving Co . N Y
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